Śrī-nyāsa, Lotus Maṇḍala Construction, and Homa to Mahālakṣmī with Sarasvatī Invocation
नवमो ऽध्यायः हरिरुवाच / र् श्यादिपूजां प्रवर्श्यामि स्थण्डिलादिषु सिद्धये / श्रीं ह्रीं महालक्ष्म्यै नमः / श्रां श्रीं श्रूं श्रैं श्रौं श्रः क्रमाद्धृदयं च शिरः शिखाम् / कवचं नेत्रमस्त्रं च आसनं मूर्तिमर्चयेत्
navamo 'dhyāyaḥ hariruvāca / r śyādipūjāṃ pravarśyāmi sthaṇḍilādiṣu siddhaye / śrīṃ hrīṃ mahālakṣmyai namaḥ / śrāṃ śrīṃ śrūṃ śraiṃ śrauṃ śraḥ kramāddhṛdayaṃ ca śiraḥ śikhām / kavacaṃ netramastraṃ ca āsanaṃ mūrtimarcayet
诃利说道:“为成就悉地,我将宣说以‘śrī’音节为始、于仪坛(sthaṇḍila)等处修行的礼拜法。(当诵)‘Śrīṃ,Hrīṃ——顶礼大吉祥天女摩诃拉克什弥。’继而依次以‘Śrāṃ,Śrīṃ,Śrūṃ,Śraiṃ,Śrauṃ,Śraḥ’作安置(nyāsa),分别归于心、首、顶髻(śikhā)、护甲(kavaca)、双目与武器;然后加持座位,并供奉圣像(mūrti)。”
Hari (Lord Vishnu)
Concept: Mantra-nyāsa and icon-worship as a disciplined means to invoke Mahālakṣmī’s auspicious power for siddhi.
Vedantic Theme: Īśvara-upāsanā as a preparatory discipline (citta-śuddhi) where the sacred is approached through name, form, and ordered ritual.
Application: Maintain a clean, bounded worship space; recite the bīja/mantra with attention; perform nyāsa as mindful placement of divinity in one’s faculties before any prayer for success.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: ritual_space
Related Themes: Garuda Purana (sections on pūjā-vidhi, mantra-nyāsa, and devatā-arcana in the early kāṇḍas)
This verse frames Mahālakṣmī worship through bīja-mantras and nyāsa as a means to gain siddhi (successful fruition) and ritual protection.
It does not describe the after-death journey here; instead, it teaches a protective and success-oriented ritual discipline (nyāsa and mūrti-arcana) within the Purāṇic framework.
Use the verse as a guideline for structured worship: mantra-recitation with mindful “placement” (nyāsa) and respectful icon-worship, emphasizing order, clarity, and devotion.