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Shloka 55

सर्गभेदाः — अविद्या, स्रोतोभेदाः, नव सर्गाः, देवासुरादिसृष्टिः, वेद-यज्ञप्रादुर्भावः

सामानि जगतीछन्दः स्तोमं सप्तदशं तथा वैरूपम् अतिरात्रं च पश्चिमाद् असृजन् मुखात्

sāmāni jagatīchandaḥ stomaṃ saptadaśaṃ tathā vairūpam atirātraṃ ca paścimād asṛjan mukhāt

Từ mặt phía tây, Ngài làm hiển lộ các khúc Sāman, nhịp Jagatī, stoma mười bảy, cùng các nghi lễ Vairūpa và Atirātra—như vậy âm thanh thánh và trật tự tế lễ sinh ra từ chính miệng của Đấng Tối Thượng Nhân.

सामानिSāman chants
सामानि:
Karma (Object/कर्म)
TypeNoun
Rootसामन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, बहुवचन
जगतीछन्दःJagatī metre
जगतीछन्दः:
Karma (Object/कर्म)
TypeNoun
Rootजगती + छन्दस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; तत्पुरुष (जगती-छन्दस् = Jagatī metre)
स्तोमम्stoma
स्तोमम्:
Karma (Object/कर्म)
TypeNoun
Rootस्तोम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन
सप्तदशम्seventeenfold / seventeen
सप्तदशम्:
Karma (Object/कर्म)
TypeAdjective
Rootसप्तदश (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; द्विगु-समास (numerical)
तथाlikewise
तथा:
Sambandha (Adverbial/सम्बन्ध)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; प्रकार/समुच्चयार्थक
वैरूपम्Vairūpa (stoma/chant)
वैरूपम्:
Karma (Object/कर्म)
TypeNoun
Rootवैरूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन
अतिरात्रम्Atirātra (rite)
अतिरात्रम्:
Karma (Object/कर्म)
TypeNoun
Rootअतिरात्र (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; तत्पुरुष (अति-रात्र)
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय
पश्चिमात्from the west (side)
पश्चिमात्:
Apadana (Source/अपादान)
TypeNoun
Rootपश्चिम (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी-विभक्ति, एकवचन
असृजन्they created/emitted
असृजन्:
Kriya (Verb/क्रिया)
TypeVerb
Rootसृज् (धातु)
Formलङ्-लकार (Imperfect), प्रथम-पुरुष (3rd), बहुवचन; परस्मैपद
मुखात्from (the) mouth
मुखात्:
Apadana (Source/अपादान)
TypeNoun
Rootमुख (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी-विभक्ति, एकवचन

Sage Parāśara (teaching Maitreya)

Speaker: Parasara

Topic: Completion of Vedic chant-forms and rites within creation

Teaching: Cosmological

Quality: revealing

Creation Stage: Secondary

Concept: Sacred chant and rite originate in the Supreme Person, so worship through sound is participation in the very fabric of creation.

Vedantic Theme: Dharma

Application: Integrate kīrtana/mantra-recitation (or mindful sacred reading) as a daily discipline, treating sound as a bridge to the divine.

Vishishtadvaita: Devotional sound (stotra/chant) is grounded in the Lord’s own manifestation; the means (upāya) is divinely given, not self-invented.

Vishnu Form: Narayana

Bhakti Type: Shanta

Jagat Karana: Yes

S
Supreme Person (Vishnu/Nārāyaṇa)
S
Sāman (Sāma Veda)
J
Jagatī (Vedic metre)
S
Stoma
V
Vairūpa
A
Atirātra

FAQs

It presents Veda as emanating from the Supreme Person—sacred speech (śabda) is not human invention but a cosmic principle that establishes dharma and ritual order.

By listing specific chants, metres, and rites (Sāman, Jagatī, stoma types, Atirātra), Parāśara shows that yajña is a revealed system—its components arise as part of creation’s lawful arrangement.

Vishnu is implied as the supreme source from whom Veda and yajña proceed, reinforcing a Vaishnava view that cosmic governance and spiritual means (ritual and revelation) depend on Him.