Skanda’s Svastyayana and the Slaying of Taraka and Mahisha
पिण्डारकस्तु तुण्डेन शृङ्गाभ्यां च कलिप्रिय विदारयति संग्रामे दानवान् समरोद्धतान्
piṇḍārakastu tuṇḍena śṛṅgābhyāṃ ca kalipriya vidārayati saṃgrāme dānavān samaroddhatān
Nhưng Piṇḍāraka, hỡi người được Kali yêu mến, đã dùng mỏ và đôi sừng mà xé toạc trong chiến trận các Dānava kiêu căng nơi chiến địa.
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‘Kali-priya’ functions as a vocative epithet for the addressee, a stylistic device common in Purāṇic narration. It can signal a frame where the teaching is relevant for the Kali age, or it may be an affectionate/identifying epithet of the interlocutor in the surrounding dialogue.
The verse does not specify a deity-form; it portrays a combatant with animal-like features, consistent with Purāṇic battle scenes where yakṣas, bhūtas, gaṇas, and various extraordinary beings fight using non-human anatomies.
It frames the opponents as inflated with martial pride and aggression, a moral-psychological characterization that justifies their violent downfall and heightens the hero’s prowess in overcoming formidable, overconfident enemies.