Vamana Purana — Sarasvata Hymn to Vishnu, Shloka 115

The Sarasvata Hymn to Vishnu (Vishnu-Pañjara) and the Redemption of a Rakshasa

Devanagari script

अहर्निशं हृषीकेशं स्तवेनानेन राक्षस स्तुहि भक्तिं दृढां कृत्वा ततः पापाद् विमोक्ष्यसे

Transliteration

aharniśaṃ hṛṣīkeśaṃ stavenānena rākṣasa stuhi bhaktiṃ dṛḍhāṃ kṛtvā tataḥ pāpād vimokṣyase

Translation

[{"question": "Is the verse claiming automatic absolution merely by utterance?", "answer": "The verse pairs stuti with bhakti (‘praised with devotion’), indicating that the intended efficacy is devotional praise—recitation joined to sincere orientation—rather than empty speech."}, {"question": "Why repeat ‘stuto hi’ twice?", "answer": "The repetition functions as emphatic reinforcement: first asserting the result (destruction of sins), then grounding it in Hari’s essential nature as ‘sarva-pāpa-hara’ when approached through bhakti."}, {"question": "How should ‘sarva-pāpa’ be understood in Purāṇic ethics?", "answer": "It typically denotes accumulated moral demerit (karmic impurity) that obstructs auspicious outcomes and spiritual progress; the verse presents Hari-bhakti expressed as stuti as a potent purifier within that ethical framework."}]

Speakers

• Unspecified in provided excerpt; a teacher/authority figure instructing a rākṣasa addressee

Primary Deities

• Vishnu (Hṛṣīkeśa)

Key Themes

• Continuous remembrance (smaraṇa) and praise
• Bhakti as transformative discipline
• Moral purification (pāpa-vimokṣa)
• Inclusivity of devotion (even a rākṣasa is eligible)

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "vira", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Why is the addressee called ‘rākṣasa’—what is the doctrinal point?

The address underscores that bhakti and stuti are not restricted by birth or species; even one marked as ‘rākṣasa’ can attain purification through steadfast devotion to Hṛṣīkeśa.

What does ‘aharniśam’ imply as a practice?

It indicates regular, sustained engagement—constant recitation or continual devotional orientation—rather than a one-time ritual act, aligning with Purāṇic ideals of nāma/stuti as ongoing sādhana.

How does ‘Hṛṣīkeśa’ connect to the verse’s promise of liberation from sin?

As ‘Lord of the senses’, Hṛṣīkeśa signifies mastery and purification of sensory life; firm bhakti reorients the senses toward the divine, which the text presents as a direct means to pāpa-vimokṣa.