Prahlada’s Defeat in Battle and Victory through Bhakti (Nara-Narayana Episode)
त्वं देवः पुण्डरीकाक्षस्त्वं विष्णुः शार्ङ्गचापधृक् त्वमव्ययो महेशानः शाश्वतः पुरुषोत्तमः
tvaṃ devaḥ puṇḍarīkākṣastvaṃ viṣṇuḥ śārṅgacāpadhṛk tvamavyayo maheśānaḥ śāśvataḥ puruṣottamaḥ
“Ngài là Thần, bậc Liên Hoa Nhãn; Ngài là Viṣṇu, đấng mang cung Śārṅga. Ngài là Đấng bất hoại, Maheśāna; là Đấng vĩnh cửu, Puruṣottama tối thượng.”
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Devotional vision sees one supreme reality manifesting divine qualities; Prahlāda’s praise encourages devotion beyond rivalry—recognizing the eternal, imperishable Lord as the highest good.
Carita/Vamśānucarita-type devotional narrative: hymnic passages embedded in story serve to teach dharma and theology rather than enumerate creation cycles.
Applying ‘Maheśāna’ (a Śaiva title) to Viṣṇu is a deliberate non-sectarian move typical of Purāṇic synthesis, implying functional and ontological unity (Hari–Hara) while retaining Viṣṇu’s distinct iconography (Śārṅga, lotus eyes).