Mantra 1
Aindra stotra as a plea to Indra to hear the Soma-pressing call and unite with perfected praise, framed by cosmic messenger imagery (suparṇa/drapsa) that upholds ṛta.
श्रुधी हवं विपिपानस्याद्रेर्बोधा विप्रस्यार्चतो मनीषाम् कृष्वा दुवांस्यन्तमा सचेमा
śrudhī havaṃ vipipānasyādrerbodhā viprasyārcato manīṣām kṛṣvā duvāṃsyantamā sacemā
śrudhī havaṃ vipipānasya adrer | bodhā viprasya arcato manīṣām | kṛṣvā duvāṃsy antamā sacemā(2)
Xin hãy lắng nghe lời khẩn cầu của kẻ khát được uống—vang lên từ hòn đá ép (adri); xin thấu hiểu ý niệm của vị vipra đang ca tụng. Khi đã làm cho lời tôn kính của chúng con trở nên tối thượng, xin cho chúng con được hiệp nhất cùng Ngài.
śrudhī | havam | vi-pipānasya | adreḥ | bodhā | viprasya | arcataḥ | manīṣām | kṛṣvā | duvāṃsi | anta-mā | sacemā
Aindra Sāman (exact tune-name not specified in input)
{ "prastava": "(stobha-led prelude; often ‘hā/ho/i’ expansions in Aindra practice)", "udgitha": "śrudhī havaṃ vipipānasya adrer bodhā viprasyārcato manīṣām", "pratihara": "kṛṣvā duvāṃsy", "upadrava": "antamā sacemā", "nidhana": "(elongated cadence on sacemā with communal closure)", "structure_notes": "Text is typically segmented so the ‘hearing/awakening’ verbs sit in udgītha; the ‘making excellent’ and ‘union’ resolve in later sections with elongations.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha+upadrava; Pratihartṛ: pratihāra; all: nidhana (with support from assistants)." }
{ "gloss_summary": "Sāyaṇa links adri to the Soma-pressing apparatus (grāvan); the ‘call’ is concretely tied to pressing. manīṣā is the priest’s well-formed stotra-intent. duvāṃsi are acts/words of worship made excellent.", "ritual_interpretation": "Pressing sound and stotra together constitute the invitation; correctness and excellence of worship secure Indra’s approach and participation.", "theological_insight": "Divine hearing is ritually conditioned: the deity responds to properly formed intention expressed in sanctioned sound.", "etymology_highlights": "adri → grāvan (pressing-stone); manīṣā as ‘manas + īṣā’ (formed/impelled thought, traditional glossing); duvāṃsi as worship-acts/utterances." }