पन्यंपन्यमित्सोतार आ धावत मद्याय सोमं वीराय शूराय
panyaṃpanyamitsotāra ā dhāvata madyāya somaṃ vīrāya śūrāya
pányam pányam ít sotā́ra ā́ dhāvata | madyā́ya sómaṃ | vīrā́ya śūrā́ya ||
Hãy mau đến, hỡi những người ép—mang theo Soma quý báu, lại càng quý báu, để hoan hỷ, cho bậc anh hùng, cho đấng dũng mãnh (Indra).
panyam panyam it sotāraḥ | ā dhāvata | madyāya somam | vīrāya śūrāya ||
Aindra (generic Sāman setting; specific tune not stated in input)
{ "prastava": "Stobha prelude establishing tempo; often aligns with the repetitive ‘panyam’.", "udgitha": "pányam pányam ít sotā́ra ā́ dhāvata…", "pratihara": "madyā́ya sómaṃ…", "upadrava": "vīrā́ya…", "nidhana": "…śūrā́ya (cadence; commonly elongated)", "structure_notes": "Repetition is musically exploited: ‘panyam’ may receive ornamental extensions before the imperative.", "singer_assignments": "Standard five-part Udgātṛ group allocation." }
{ "gloss_summary": "Addressing the sotāraḥ (pressers), the mantra urges haste in bringing excellent (doubly ‘panya’) soma for Indra’s exhilaration, the hero and valiant one.", "ritual_interpretation": "Operational directive within the soma rite: prepare the best soma promptly for Indra’s drinking.", "theological_insight": "Excellence (panya) and timeliness are ritual virtues; Indra’s heroic function is activated through soma’s mādana (exhilarant) power.", "etymology_highlights": "panya ‘praiseworthy/valuable’; madyāya from mad ‘to exhilarate’—‘for exhilaration/drinking’." }