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Ramayana — Sundara Kanda, Sarga 56, Shloka 18

षट्पञ्चाशः सर्गः — वैदेही-आश्वासनम् तथा अरिष्टारोहणम्

Consoling Sita and Ascending Mount Arishta

लतावितानैर्विततैः पुष्पवद्भिरलङ्कृतम्।नानामृगगणाकीर्णं धातुनिष्यन्दभूषितम्।।।।

latā-vitānaiḥ vitataiḥ puṣpavadbhir alaṅkṛtam |

nānā-mṛga-gaṇākīrṇaṃ dhātu-niṣyanda-bhūṣitam ||

Núi được trang hoàng bởi những mái vòm dây leo trải rộng, nở đầy hoa; chen chúc bởi nhiều đàn thú muôn loài; và càng thêm mỹ lệ bởi những dòng khoáng sắc rực rỡ chảy tràn xuống sườn núi.

latā-vitānaiḥwith canopies of creepers
latā-vitānaiḥ:
Karana (करण)
TypeNoun
Rootlatā (प्रातिपदिक) + vitāna (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (करण), बहुवचनम्; समासः: 'लतानां वितानानि'
vitataiḥspread out
vitataiḥ:
Karana (करण)
TypeAdjective
Root√tan (धातु)
Formक्त-प्रत्ययान्त कृदन्त, तृतीया-बहुवचनम्; विशेषणम्
puṣpavadbhiḥflower-laden
puṣpavadbhiḥ:
Karana (करण)
TypeAdjective
Rootpuṣpavat (प्रातिपदिक)
Formपुल्लिङ्ग/नपुंसकलिङ्ग, तृतीया-विभक्ति (करण), बहुवचनम्; 'having flowers'
alaṅkṛtamdecorated
alaṅkṛtam:
Karma (कर्म)
TypeAdjective
Rootalaṃ-√kṛ (धातु)
Formक्त-प्रत्ययान्त कृदन्त, द्वितीया-एकवचनम्; 'adorned'
nānā-mṛga-gaṇa-ākīrṇamcrowded with various herds of animals
nānā-mṛga-gaṇa-ākīrṇam:
Karma (कर्म)
TypeAdjective
Rootnānā (अव्यय/प्रातिपदिक) + mṛga (प्रातिपदिक) + gaṇa (प्रातिपदिक) + ākīrṇa (कृदन्त, क्त)
Formनपुंसकलिङ्ग, द्वितीया-एकवचनम्; समासः: 'नानाविधैः मृगगणैः आकीर्णम्'
dhātu-niṣyanda-bhūṣitamadorned with mineral-streams/oozings
dhātu-niṣyanda-bhūṣitam:
Karma (कर्म)
TypeAdjective
Rootdhātu (प्रातिपदिक) + niṣyanda (प्रातिपदिक) + bhūṣita (कृदन्त, क्त)
Formनपुंसकलिङ्ग, द्वितीया-एकवचनम्; समासः: 'धातूनां निष्यन्दैः भूषितम्'

It was spread with creepers filled with beautiful flowers and herds of animals. The colourful minerals flowing down decorated the mountain.

L
latā (creeper)
P
puṣpa (flower)
M
mṛga (animals)

FAQs

Dharma includes honoring life’s flourishing. The verse’s emphasis on flowers, animals, and natural ‘ornaments’ encourages a value of protection and harmony with living beings (dayā).

The narrator continues to depict the mountain as richly alive—vegetation, wildlife, and mineral colors—enhancing the epic’s setting.

Compassionate regard (dayā) implied by recognizing the mountain as a shared habitat for many beings.