Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
यो धर्मिष्ठश्च सप्राणः प्रयतः शिष्टसंमतः । चिंतयेन्मनसा गंगां स गतिं परमां लभेत् ॥ १०६ ॥
yo dharmiṣṭhaśca saprāṇaḥ prayataḥ śiṣṭasaṃmataḥ | ciṃtayenmanasā gaṃgāṃ sa gatiṃ paramāṃ labhet || 106 ||
Người chí thiện, còn đầy sinh lực, giữ kỷ luật, được bậc hiền trí tán đồng—nếu trong tâm quán niệm sông Gaṅgā, người ấy sẽ đạt đến đích tối thượng.
Narada (teaching in a tirtha-mahatmya context; Uttara-Bhaga narrative style)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that even internal worship—mentally remembering the Gaṅgā with purity and discipline—can grant the supreme spiritual goal, highlighting the power of sacred remembrance (smṛti) in tirtha-mahātmyas.
By emphasizing heartfelt contemplation rather than only external acts, it aligns with bhakti’s inner orientation: sincere remembrance of a sacred embodiment (Gaṅgā) becomes a direct means to the highest attainment.
It chiefly reflects kalpa-style practical dharma (purity, self-restraint, and approved conduct) and the discipline of manasa-japa/smaraṇa—an internalized ritual principle rather than a technical treatment of vyākaraṇa or jyotiṣa.