Shloka 7
Adhyaya 93 — The Goddess’s Boons to Suratha and the Merchant (Conclusion of the Devi Mahatmyam)
तौ तस्मिन् पुलिने देव्याः कृत्वा मूर्ति महीमयीम् ।
अर्हणां चक्रतुस् तस्याः पुष्पधूपाग्नितर्पणैः ॥
tau tasmin puline devyāḥ kṛtvā mūrti mahī-mayīm /
arhaṇāṃ cakratus tasyāḥ puṣpa-dhūpāgni-tarpaṇaiḥ
Tại đó, trên bờ sông ấy, hai người nặn một tượng Nữ Thần bằng đất, rồi thờ phụng Ngài với hoa, hương, lửa và các lễ hiến cúng (āhuti).
{ "primaryRasa": "bhakti", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
Devotion is enacted through concrete ritual: the formless Supreme is approachable through form (mūrti) and ordered offerings, integrating body, speech, and mind into worship.
Ritual and devotion fall outside the five marks; this is a dharma-upadeśa/practice segment within the Devi Mahatmyam’s narrative closure.
An earthen image signifies Śakti pervading bhūta (elements). Worship through flowers/incense/fire aligns sensory and elemental correspondences (earth-form, air/fragrance, fire/oblation) to ‘invite’ pratyakṣa revelation.