Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
महादेव उवाच यथोक्तं पन्नगश्रेष्ठ ! सर्वमेतद्भविष्यति ।
मत्प्रसादादसन्दिग्धं शृणु चेदं भुजङ्गम ॥
mahādeva uvāca yathoktaṃ pannagaśreṣṭha! sarvam etad bhaviṣyati | matprasādād asandigdhaṃ śṛṇu cedam bhujaṅgama ||
Mahādeva phán: “Như lời ngươi đã nói, hỡi bậc tối thượng trong loài rắn, tất cả điều ấy sẽ thành tựu. Nhờ ân điển của ta, không nghi ngờ gì—nay hãy lắng nghe, hỡi rắn.”
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Divine grace is portrayed as both compassionate and orderly: assent is followed by practical instruction, implying that boons often require alignment with dharmic procedure.
Ānucarita with dharma-upadeśa (ritual teaching) embedded inside narrative—typical Purāṇic pedagogy.
‘Listen’ signals śravaṇa as the first limb of inner transformation; grace (prasāda) is not merely a gift but a clarifying certainty (asandigdha) that steadies the mind.