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Shloka 4

Mārkaṇḍeya’s Consolation to the King: Exempla of Rāma and the Efficacy of Allies (मार्कण्डेयाश्वासनम्)

ता: सदा तं महात्मानं संतोषयितुमुद्यता: । ऋषिं भरतशार्दूल नृत्यगीतविशारदा:,भरतमश्रेष्ठ! वे तीनों ही नाचने और गानेकी कलामें निपुण थीं तथा सदा ही उन महात्मा महर्षिको संतुष्ट रखनेके लिये सचेष्ट रहती थीं ॥॥|॥॥॥/ / ५५५५ ॥॥॥॥॥॥॥५/७ ३३७॥

tāḥ sadā taṃ mahātmānaṃ santoṣayitum udyatāḥ | ṛṣiṃ bharataśārdūla nṛtyagītaviśāradāḥ ||

Mārkaṇḍeya nói: Những người nữ ấy, luôn một lòng làm vừa lòng vị đại hiền có tâm hồn cao cả kia, không ngừng chăm lo để khiến ngài được thỏa ý. Hỡi bậc hổ trong dòng Bharata, họ tinh thông vũ khúc và ca hát, và luôn gắng sức giữ cho vị ṛṣi được an nhiên—một hình ảnh của sự phụng sự có kỷ luật dâng lên sự xuất chúng tâm linh, chứ không phải chỉ để mua vui.

ताःthey (those women)
ताः:
Karta
TypePronoun
Rootतद्
FormFeminine, Nominative, Plural
सदाalways
सदा:
TypeIndeclinable
Rootसदा
तम्him
तम्:
Karma
TypePronoun
Rootतद्
FormMasculine, Accusative, Singular
महात्मानम्the great-souled one
महात्मानम्:
Karma
TypeNoun
Rootमहात्मन्
FormMasculine, Accusative, Singular
संतोषयितुम्to please / to satisfy
संतोषयितुम्:
TypeVerb
Rootसंतोषय् (संतोषयति)
FormTumun (infinitive), Parasmaipada (causative usage)
उद्यताःintent / ready / striving
उद्यताः:
Karta
TypeAdjective
Rootउद्यत
FormFeminine, Nominative, Plural
ऋषिम्the sage
ऋषिम्:
Karma
TypeNoun
Rootऋषि
FormMasculine, Accusative, Singular
भरतशार्दूलO tiger among the Bharatas
भरतशार्दूल:
TypeNoun
Rootभरतशार्दूल
FormMasculine, Vocative, Singular
नृत्यगीतविशारदाःskilled in dance and song
नृत्यगीतविशारदाः:
Karta
TypeAdjective
Rootनृत्यगीतविशारद
FormFeminine, Nominative, Plural

मार्कण्डेय उवाच

मार्कण्डेय (Mārkaṇḍeya)
ऋषि (the sage, unnamed in this verse)
भरतशार्दूल (address to the listener, likely Yudhiṣṭhira in context)

Educational Q&A

The verse highlights disciplined, respectful service (sevā) directed toward a spiritually eminent person: skill and art (dance and song) become ethically meaningful when used with restraint and the intention to support dharma and the well-being of the worthy.

Markandeya describes three women who are proficient in dance and song and who continually strive to keep a great sage pleased, indicating their ongoing attendance and efforts to satisfy him.