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Mahabharata 9.55.9Shalya Parva, Adhyaya 55, Shloka 9

Vāg-yuddha and Nimitta-darśana before the Gadāyuddha

Verbal Duel and Omens

तस्मात्‌ समन्तपञ्चकमितो याम द्रुतं नूप । प्रथितोत्तरवेदी सा देवलोके प्रजापते:

sañjaya uvāca | tasmāt samantapañcakam ito yāma drutaṃ nṛpa | prathitottaravedī sā devaloke prajāpateḥ ||

Sañjaya nói: “Vì vậy, tâu đại vương, chúng ta hãy mau rời đây đến Samantapañcaka. Mảnh đất ấy trong cõi chư thiên nổi danh là ‘uttaravedī’—‘bàn thờ phương bắc’ của Prajāpati. Ở thánh địa tối thượng, vĩnh cửu của ba cõi ấy, người nào tử trận trong chiến đấu ắt chắc chắn được về trời.”

तस्मात्therefore/from that
तस्मात्:
Apadana
TypePronoun
Rootतद्
Formmasculine/neuter, ablative, singular
समन्तपञ्चकम्to Samantapañcaka (a tīrtha/place)
समन्तपञ्चकम्:
Karma
TypeNoun
Rootसमन्तपञ्चक
Formneuter, accusative, singular
इतःfrom here
इतः:
Apadana
TypeIndeclinable
Rootइतः
यामlet us go
याम:
Karta
TypeVerb
Rootया
Formimperative, 1st, plural
द्रुतम्quickly
द्रुतम्:
Adhikarana
TypeIndeclinable
Rootद्रुत
नृपO king
नृप:
Sampradana
TypeNoun
Rootनृप
Formmasculine, vocative, singular
प्रथिताrenowned
प्रथिता:
Karta
TypeAdjective
Rootप्रथित
Formfeminine, nominative, singular
उत्तरवेदीthe northern altar (name/designation)
उत्तरवेदी:
Karta
TypeNoun
Rootउत्तरवेदी
Formfeminine, nominative, singular
साthat (land/place)
सा:
Karta
TypePronoun
Rootतद्
Formfeminine, nominative, singular
देवलोकेin the world of the gods
देवलोके:
Adhikarana
TypeNoun
Rootदेवलोक
Formmasculine, locative, singular
प्रजापतेःof Prajāpati
प्रजापतेः:
Sambandha
TypeNoun
Rootप्रजापति
Formmasculine, genitive, singular

संजय उवाच

S
Sañjaya
N
nṛpa (the king, i.e., Dhṛtarāṣṭra as listener)
S
Samantapañcaka
D
Devaloka
P
Prajāpati
U
Uttaravedī

Educational Q&A

The verse links sacred place (tīrtha) and righteous warrior-death: dying in battle at a supremely holy field is portrayed as yielding assured heavenly attainment, reflecting the epic’s kṣatriya ideal and the belief in place-based merit.

Sañjaya addresses the king and urges swift movement to the sacred region called Samantapañcaka, identifying it with Prajāpati’s famed ‘northern altar’ in devaloka and emphasizing its extraordinary sanctity and salvific promise for those who fall there in battle.

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