Previous Verse
Next Verse

Shloka 3

Aśvatthāmā’s Stuti of Rudra and Śiva’s Empowerment (सौप्तिकपर्व, अध्याय ७)

शितिकण्ठमजं शुक्र दक्षक्रतुहरं हरम्‌ । विश्वरूपं विरूपाक्ष॑ बहुरूपमुमापतिम्‌

sañjaya uvāca | śitikaṇṭham ajaṃ śukraṃ dakṣa-kratu-haraṃ haram | viśvarūpaṃ virūpākṣaṃ bahurūpam umāpatim ||

Sañjaya said: Aśvatthāmā addressed the Lord—Śiva—praising him as the blue-throated, unborn, pure and radiant one; the destroyer of Dakṣa’s sacrifice; the great Harā who brings dissolution; the all-formed and many-formed deity, the fearsome-eyed one, and the beloved lord of Umā. In the grim aftermath of war, this hymn frames Aśvatthāmā’s turn toward a terrible, power-bestowing divinity, seeking sanction and strength through devotion rather than restraint.

शितिकण्ठम्the blue-throated one
शितिकण्ठम्:
Karma
TypeNoun
Rootशितिकण्ठ
FormMasculine, Accusative, Singular
अजम्the unborn one
अजम्:
Karma
TypeNoun
Rootअज
FormMasculine, Accusative, Singular
शुक्रम्pure, bright
शुक्रम्:
Karma
TypeAdjective
Rootशुक्र
FormMasculine, Accusative, Singular
दक्षक्रतुहरम्destroyer of Daksha's sacrifice
दक्षक्रतुहरम्:
Karma
TypeNoun
Rootदक्षक्रतुहर
FormMasculine, Accusative, Singular
हरम्Hara (the remover/destroyer)
हरम्:
Karma
TypeNoun
Rootहर
FormMasculine, Accusative, Singular
विश्वरूपम्the one of universal form
विश्वरूपम्:
Karma
TypeNoun
Rootविश्वरूप
FormMasculine, Accusative, Singular
विरूपाक्षम्the odd/terrible-eyed one
विरूपाक्षम्:
Karma
TypeNoun
Rootविरूपाक्ष
FormMasculine, Accusative, Singular
बहुरूपम्the many-formed one
बहुरूपम्:
Karma
TypeNoun
Rootबहुरूप
FormMasculine, Accusative, Singular
उमापतिम्lord of Umā
उमापतिम्:
Karma
TypeNoun
Rootउमापति
FormMasculine, Accusative, Singular

संजय उवाच

S
Sañjaya
A
Aśvatthāmā
Ś
Śiva (Hara, Śitikaṇṭha, Viśvarūpa, Virūpākṣa, Bahurūpa, Umāpati)
U
Umā (Pārvatī)
D
Dakṣa
D
Dakṣa’s sacrifice (Dakṣa-kratu)

Educational Q&A

The verse foregrounds Śiva as the cosmic, many-formed power of dissolution and transcendence. Ethically, it signals how devotion can be invoked to seek empowerment in a violent context—raising the question of whether religious praise is being aligned with dharma or used to justify destructive intent.

Sañjaya reports Aśvatthāmā’s hymn to Śiva, stringing together potent epithets (blue-throated, unborn, destroyer of Dakṣa’s sacrifice, many-formed, lord of Umā). This occurs in the Sauptika Parva setting, where Aśvatthāmā is turning toward Śiva for force and sanction amid the grim continuation of the war’s aftermath.