Sukeshi’s Inquiry into Dharma: The Seven Dvipas and the Twenty-One Hells
जम्भं च पाशेन तथा निहत्य तारं तलेनाशनिसंनिभेन पादेन वृत्रं तरसा कुजम्भं निपातयामास बलं च मुष्ट्या
jambhaṃ ca pāśena tathā nihatya tāraṃ talenāśanisaṃnibhena pādena vṛtraṃ tarasā kujambhaṃ nipātayāmāsa balaṃ ca muṣṭyā
اس نے جمبھ کو پاش سے گرا دیا؛ تارا کو بجلی جیسے ہتھیلی کے وار سے؛ ورترا کو تیزی سے پاؤں کے ضرب سے؛ کُجمبھ کو پٹخ دیا اور بَل کو بھی مُکّے کے وار سے زیر کیا۔
{ "primaryRasa": "raudra", "secondaryRasa": "vira", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Adharma manifests as many ‘champions’ (named forces), yet it is overcome by steadiness and capability. The verse also implies proportional response: binding (pāśa) and direct blows (hand/foot/fist) are applied as required by circumstance.
This is heroic narrative (carita) within Vamśānucarita-style material—describing deeds in the cosmic-historical struggle between devas and daityas—rather than cosmogenesis or dissolution.
Multiple methods of defeat (noose, palm like thunderbolt, foot, fist) suggest the completeness of divine agency: restraint, judgment, and decisive force. The ‘thunderbolt-like’ palm evokes Indra’s vajra imagery, reinforcing the idea of divine authority restoring order.