Vamana Purana — Sarasvata Hymn to Vishnu, Shloka 7

The Sarasvata Hymn to Vishnu (Vishnu-Pañjara) and the Redemption of a Rakshasa

Devanagari script

स कदाचित् तपस्यन्तं ददर्श सतरितस्तटे महाभागमूर्ध्वभुजं यथावत्संयतेन्द्रियम्

Transliteration

sa kadācit tapasyantaṃ dadarśa sataritastaṭe mahābhāgamūrdhvabhujaṃ yathāvatsaṃyatendriyam

Translation

ایک بار اس نے دریا کے کنارے تپسیا میں مشغول ایک صاحبِ عظمت کو دیکھا—بازو اوپر اٹھائے ہوئے اور حواس کو پوری طرح قابو میں رکھے ہوئے۔

Speakers

• Narrator (Purāṇic narrator) describing the rākṣasa’s sighting of a tapasvin (specific interlocutors not provided in prompt).

Key Themes

• Tapas (austerity) as spiritual power
• Riverbank as ascetic/tīrtha setting
• Contrast of adharma (rākṣasa) and dharma (tapasvin)

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Why is the riverbank setting significant in Purāṇic narrative, especially in a geography-focused text like the Vāmana Purāṇa?

Riverbanks are classic loci of tapas and tīrtha-power: they mark liminal, purifying spaces where vows, encounters, and turning points occur. Even when unnamed, the mention signals a sacred-geographical frame for the next event.

What does 'ūrdhva-bhuja' indicate about the ascetic’s practice?

It denotes a recognized austerity posture (arms held aloft), implying prolonged discipline and accumulated tapas—often making the ascetic a potent moral and supernatural counterforce to violence.

How does 'saṃyatendriya' shape the portrayal of the tapasvin?

It emphasizes inner mastery (sense-restraint) as the foundation of spiritual authority, contrasting sharply with the rākṣasa’s uncontrolled predation and foreshadowing a confrontation of power rooted in dharma.