Vamana Purana — Sarasvata Hymn to Vishnu, Shloka 60

The Sarasvata Hymn to Vishnu (Vishnu-Pañjara) and the Redemption of a Rakshasa

Devanagari script

इत्येवं मनसा सत्यान् कुर्वतः शपथान् पुनः सप्तर्चिषा समादिष्टा प्रादुरासीत् सरस्वती

Transliteration

ityevaṃ manasā satyān kurvataḥ śapathān punaḥ saptarciṣā samādiṣṭā prādurāsīt sarasvatī

Translation

یوں وہ دل میں پھر سچے عہد و قسمیں باندھ رہا تھا کہ سَپتارچِش (سَپت رِشی) کے حکم سے سرسوتی وہاں ظاہر ہوئیں۔

Speakers

• Narrator (Purāṇic voice) describing the event; Sarasvatī is about to address the dvijasuta.

Primary Deities

• Sarasvatī

Key Themes

• Tirtha Mahima
• Power of satya (truth) and śapatha (vow)
• Ṛṣi-śāsana (authority of sages)
• Divine epiphany (prādurbhāva)

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Why does Sarasvatī appear specifically after the making of truthful vows?

In tīrtha-māhātmya narratives, satya and śapatha function as ritual-moral triggers: when a devotee’s inner resolve aligns with truth, the tīrtha-devatā becomes accessible. The verse frames Sarasvatī’s manifestation as a response to satya upheld mentally (manasā), not merely spoken.

Who is ‘Saptarciṣ’ here, and what is the significance of their command?

Saptarciṣ denotes the Saptarṣi (Seven Sages). Their ‘samādiś’ (injunction) signals that the appearance is not random but sanctioned by Vedic-seer authority, reinforcing the tīrtha’s legitimacy and the cosmic order in which sages can invoke or direct divine presences.

Is Sarasvatī meant as a river, a goddess, or both?

Purāṇic usage often intentionally overlaps: Sarasvatī is simultaneously the sacred river (geographical tīrtha) and the presiding goddess (tīrtha-devatā). The narrative’s direct speech in the next verse highlights her personal divinity, while the chapter’s setting implies the riverine sacred landscape.