Andhaka’s Coronation, Boons from Shiva, and the Daiva–Asura War (Vahana Catalogues)
गृध्रकङ्कमहाहंसा श्येनचक्रआह्वमण्डिता वनवायसकादम्बा गोमायुश्वापदाकुला
gṛdhrakaṅkamahāhaṃsā śyenacakraāhvamaṇḍitā vanavāyasakādambā gomāyuśvāpadākulā
وہ گِدھوں، بگُلوں اور عظیم ہنسوں سے آراستہ تھی؛ بازوں اور شکاری پرندوں کے نشانوں سے نمایاں تھی؛ جنگلی کوّوں اور بطخوں سے بھری ہوئی، اور گیدڑوں اور دیگر درندہ صفت جانوروں سے گھِری ہوئی تھی۔
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The passage underscores the liminal, testing quality of certain landscapes: the pilgrim/hero must move through zones of fear and disorder. Such descriptions function as a reminder that dharma is maintained not in comfort but amid risk, vigilance, and self-control.
It aligns most closely with tīrtha-prasaṃśā / kṣetra-māhātmya material that Purāṇas often embed within broader vamśānucarita or narrative frames. It is not sarga/pratisarga proper; it is descriptive-legendary geography supporting sacred-place discourse.
Birds of prey and scavengers (vultures, hawks) alongside jackals evoke a field of death and impermanence—an image that can symbolically ‘purify’ attachment and pride before one reaches sanctified space. The ‘adornment’ is intentionally grim: it sacralizes the boundary by portraying it as formidable.