Shloka 34

अदृश्यमाना वैदेही शोकं वर्धयते मम।दृश्यमानो वसन्तश्च स्वेदसंसर्गदूषकः।।।।

adṛśyamānā vaidehī śokaṃ vardhayate mama |

dṛśyamāno vasantaś ca sveda-saṃsarga-dūṣakaḥ ||

جب ویدیہی نظر نہیں آتی تو میرا غم بڑھ جاتا ہے؛ اور جب بسنت دکھائی دیتا ہے—وہ بسنت جو کبھی عاشقوں کے وصال کی پسینے بھری تھکن کو مٹا دیتا تھا—تو میرا دکھ اور گہرا ہو جاتا ہے۔

adṛśyamānānot being seen
adṛśyamānā:
Viśeṣaṇa (विशेषण) of vaidehī
TypeAdjective
Roota-√dṛś (धातु)
FormVartamāna-kṛdanta (वर्तमानकृदन्त), Śānac/Ātmanepada passive sense (शानच्), Strīliṅga, Prathamā, Ekavacana; 'being unseen'
vaidehīVaidehi (Sita)
vaidehī:
Karta (कर्ता)
TypeNoun
Rootvaidehī (प्रातिपदिक)
FormStrīliṅga, Prathamā, Ekavacana
śokamgrief
śokam:
Karma (कर्म)
TypeNoun
Rootśoka (प्रातिपदिक)
FormPuṃliṅga, Dvitīyā, Ekavacana
vardhayateincreases
vardhayate:
Kriyā (क्रिया)
TypeVerb
Root√vṛdh (धातु)
FormLaṭ-lakāra (Present), Prathama-puruṣa, Ekavacana; ātmanepada (वर्धते/वर्धयते causative-like usage here: 'increases')
mamamy
mama:
Sambandha (सम्बन्ध)
TypeNoun
Rootasmad (प्रातिपदिक/सर्वनाम)
FormṢaṣṭhī, Ekavacana
dṛśyamānaḥbeing seen, visible
dṛśyamānaḥ:
Viśeṣaṇa (विशेषण) of vasantaḥ
TypeAdjective
Root√dṛś (धातु)
FormVartamāna-kṛdanta (शानच्), Puṃliṅga, Prathamā, Ekavacana; 'being seen/visible'
vasantaḥspring
vasantaḥ:
Karta (कर्ता)
TypeNoun
Rootvasanta (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana
caand
ca:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
sveda-saṃsarga-dūṣakaḥspoiling the sweat of union
sveda-saṃsarga-dūṣakaḥ:
Viśeṣaṇa (विशेषण) of vasantaḥ
TypeAdjective
Rootsveda (प्रातिपदिक) + saṃsarga (प्रातिपदिक) + dūṣaka (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; tatpuruṣa: sveda-saṃsargaṃ dūṣayati iti (spoiling/tainting sweat-contact; i.e., making one unfit for union)

'When in place of Vaidehi I see spring (with its cool breeze) that used to take away the sweat generated by sensual enjoyment, my sorrow is intensified.

S
Sita (Vaidehī)
S
spring (vasanta)
R
Rama

FAQs

The verse highlights truthful acknowledgement of suffering (satya to one’s inner state) and loyal remembrance; pleasure-season imagery becomes a test of restraint, reinforcing marital fidelity as a dharmic commitment.

Rāma contrasts the presence of spring with the absence of Sītā; what once enhanced conjugal joy now becomes painful because his rightful companion is missing.

Integrity in love: Rāma’s emotions remain anchored to Sītā alone, reflecting constancy rather than escapism.