Shloka 2
Varaha-Pradurbhava Context: Prahlada’s Bhakti, Narasimha’s Ugra-Form, and Shiva’s Sharabha Intervention
सूत उवाच विष्णु त्रन्स्फ़ोर्म्स् इन्तो नृसिंह अन्द् किल्ल्स् हिरण्यकशिपु हिरण्यकशिपोः पुत्रः प्रह्राद इति विश्रुतः धर्मज्ञः सत्यसम्पन्नस् तपस्वी चाभवत्सुधीः
sūta uvāca Viṣṇu transforms into Nṛsiṃha and kills Hiraṇyakaśipu hiraṇyakaśipoḥ putraḥ prahrāda iti viśrutaḥ dharmajñaḥ satyasampannas tapasvī cābhavatsudhīḥ
سوت نے کہا—وشنو نے نرسِمْہ کا روپ دھار کر ہِرَنیّاکشیپو کو قتل کیا۔ اس کا بیٹا پرہلاد کے نام سے مشہور تھا—دھرم کا جاننے والا، سچائی سے آراستہ، تپسوی اور دانا۔ شَیو سِدّھانْت کے مطابق ایسا دھرم و تپس جب پتی پرمیشور کو سونپا جائے تو پاش کٹتے ہیں۔
Suta
FAQs
It frames the ideal devotee (Prahlāda) as dharmic, truthful, and austere—qualities that, when directed to Mahādeva as Pati, mature into pure worship and prepare the soul for grace, the inner purpose behind Linga-pūjā.
While Shiva is not named directly, the Shaiva Siddhanta lens reads the episode as the Lord’s protective sovereignty over the pashu: divine power removes adharma and supports the devotee, pointing to Pati as the ultimate refuge beyond pāśa.
Tapas (austerity) and satya (truthfulness) are highlighted as core disciplines; in Pāśupata-oriented practice, these become purifying observances that weaken bondage and stabilize devotion for effective pūjā.