दक्षयज्ञध्वंसः—वीरभद्रप्रेषणं, देवविष्ण्वोः पराजयः, पुनरनुग्रहः
विमानैर्विश्वतो भद्रैस् तमन्वयुरथो सुराः हिमवच्छिखरे रम्ये हेमशृङ्गे सुशोभने
vimānairviśvato bhadrais tamanvayuratho surāḥ himavacchikhare ramye hemaśṛṅge suśobhane
پھر دیوتا ہر طرف سے مبارک و مسعود، نہایت شاندار ویمانوں میں اس کے پیچھے چلے۔ وہ ہمالیہ کی دلکش چوٹی پر پہنچے، جو سونے کی چوٹی سے روشن اور نہایت حسین تھی۔
Suta Goswami (narrating to the sages of Naimisharanya)
It situates the unfolding revelation of the Lord in a sacred Himalayan setting, a recurring Shaiva motif where the Devas approach the Pati (Lord) and where later Linga-related manifestations and consecrations are typically anchored in a purified kshetra.
Shiva-tattva is implied as the transcendent Pati whom even the Devas must follow and seek out; His presence draws them beyond ordinary realms into an auspicious, elevated locus—signifying His supremacy over cosmic stations and vehicles.
No explicit ritual is stated, but the movement toward a consecrated Himalayan peak reflects the Pashupata orientation of approaching the Pati through sacred space (kshetra) and disciplined pursuit—preparing the ground for later puja-vidhi or yogic instruction.