Devatā-Pratiṣṭhā: Maṇḍapa Construction, Dikpāla Worship, Kalaśa-Abhiṣeka, Nyāsa and Homa Procedures
एवं होमविधिं कृत्वा न्यसेन्मन्त्रांस्तु देशिकः / चरणावग्निमीऌए तु इषेत्वो गुल्फयोः स्थिताः
evaṃ homavidhiṃ kṛtvā nyasenmantrāṃstu deśikaḥ / caraṇāvagnimīḷe tu iṣetvo gulphayoḥ sthitāḥ
یوں ہوم کی विधि پوری کر کے دیشک (آچاریہ) منترَوں کا نیاس کرے—قدموں پر ‘اَگنِم اِیळے’ اور ٹخنوں پر ‘اِشیتوو’—انہیں وہیں قائم کرے۔
Lord Viṣṇu (in discourse to Garuḍa / Vinatā-putra)
Concept: Nyāsa after homa: the ācārya installs specific mantras on specific limbs (feet: ‘agnim īḷe’; ankles: ‘iṣetva’), integrating Vedic mantra with embodied practice.
Vedantic Theme: Śabda as transformative power when properly ‘placed’ (viniyoga); disciplined action refines the instrument (body-mind) for higher pursuit.
Application: In mantra practice, pair recitation with mindful somatic anchoring (touch/attention to loci) to cultivate steadiness and continuity of remembrance in daily movement.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: body geography (aṅga-nyāsa points)
Related Themes: Garuda Purana 1.48.86 (post-homa nyāsa; specific mantra-to-limb mapping); Garuda Purana 1.48.83-85 (homa sequence; mantra options; ācārya role)
This verse shows nyāsa as a post-homa consecration step—placing specific Vedic mantra-phrases on body parts to ritually purify and sacralize the practitioner.
Indirectly: by emphasizing correct ritual purification (homa and nyāsa), it supports the dhārmic preparation that the Garuda Purana links with auspicious outcomes and spiritual steadiness.
Perform sacred rites with precision and mindfulness; even outside full Vedic ritual, the principle is disciplined purification—aligning body, speech, and intent before spiritual practice.