Shloka 55

Devatā-Pratiṣṭhā: Maṇḍapa Construction, Dikpāla Worship, Kalaśa-Abhiṣeka, Nyāsa and Homa Procedures

शम्भवायेति मन्त्रेण शय्यायां विनिवेशयेत् / विश्वतश्चक्षुर्मन्त्रेण कुर्यात्सकलनिष्कलम्

śambhavāyeti mantreṇa śayyāyāṃ viniveśayet / viśvataścakṣurmantreṇa kuryātsakalaniṣkalam

“شمبھَوای” منتر سے شَیّا پر (دیویہ شکتی کو) قائم کرے۔ “وشوتش چکشُہ” منتر سے ساکار و نراکار، کامل و ماورائی—دونوں طور پر ودھی کو پورا کرے۔

शम्भवायto Śambhava
शम्भवाय:
Sampradana (Recipient/सम्प्रदान)
TypeNoun
Rootशम्भव (प्रातिपदिक; मन्त्रपद)
Formपुंलिङ्ग, चतुर्थी (4th/Dative), एकवचन; मन्त्रपद-उद्धरण (to Śambhava)
इतिthus
इति:
Sambandha (Marker/सम्बन्ध)
TypeIndeclinable
Rootइति (अव्यय)
Formअव्यय; उद्धरण-समाप्तिसूचक
मन्त्रेणwith the mantra
मन्त्रेण:
Karana (Instrument/करण)
TypeNoun
Rootमन्त्र (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
शय्यायाम्on the bed
शय्यायाम्:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootशय्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (7th/Locative), एकवचन
विनिवेशयेत्should place/lay down
विनिवेशयेत्:
Kriya (Action/क्रिया)
TypeVerb
Rootवि + नि√विश् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद; causative sense ‘to place’
विश्वतःon all sides
विश्वतः:
Adhikarana (Manner/अधिकरण)
TypeIndeclinable
Rootविश्वतः (अव्यय)
Formअव्यय; दिशावाचक (adverb: on all sides)
चक्षुः(the word) “cakṣuḥ/eye”
चक्षुः:
Sambandha (Mantra-quote/सम्बन्ध)
TypeNoun
Rootचक्षुस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; मन्त्रपद-उद्धरण (quoted word)
मन्त्रेणwith the mantra
मन्त्रेण:
Karana (Instrument/करण)
TypeNoun
Rootमन्त्र (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
कुर्यात्should do/perform
कुर्यात्:
Kriya (Action/क्रिया)
TypeVerb
Root√कृ (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
सकलनिष्कलम्the (rite) as both with form and formless
सकलनिष्कलम्:
Karma (Object/कर्म)
TypeAdjective
Rootसकल + निष्कल (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; समासः—द्वन्द्व (sakala + niṣkala = with parts and without parts/manifest and unmanifest)

Lord Vishnu (in instruction to Garuda/Vinatā-putra)

Concept: Worship that integrates the formed and the formless: ritual installation leading to contemplation of the transcendent.

Vedantic Theme: Saguṇa-brahma upāsanā culminating in nirguṇa-brahma orientation; completeness (sakala) and transcendence (niṣkala) as two pedagogical standpoints.

Application: Begin with concrete devotional focus, then rest attention in formless awareness; avoid sectarian rigidity by honoring both modes of the Divine.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: ritual-installation space

Related Themes: Garuda Purana 1.48.56 (abiding in para-tattva while doing nyāsa)

Ś
Śambhu (Śiva)
V
Viśvataś-cakṣuḥ (Vedic all-seeing epithet)

FAQs

This verse emphasizes completing a rite by honoring the divine in both modes—sakala (with attributes/form) and niṣkala (formless/attributeless)—so the practice integrates ritual form with metaphysical realization.

Indirectly, it frames spiritual practice as moving from the tangible (sakala) to the transcendent (niṣkala), aligning ritual discipline with the inner aim of liberation taught throughout the Garuda Purana’s instruction to Garuda.

When performing prayer or a home ritual, combine outward reverence (images, offerings, disciplined steps) with inward contemplation of the formless reality—treating both as complementary rather than opposed.