Pañcatattva-Pūjā: The Fivefold Vyuha of Hari, Mantras, Nyāsa, Maṇḍala, and Stotra
तथा प्रद्युम्नरूपेणानिरुद्धाख्येन च स्थितः / नारायणस्वरूपेण पञ्चधा ह्यद्वयः स्थितः
tathā pradyumnarūpeṇāniruddhākhyena ca sthitaḥ / nārāyaṇasvarūpeṇa pañcadhā hyadvayaḥ sthitaḥ
اسی طرح وہ پردیومن کے روپ میں اور انیردھ کہلانے والے روپ میں بھی قائم ہے؛ اور نارائن کے سوروپ میں—یوں وہ اَدویت پرم سَتّہ پانچ طرح سے مستقر ہے۔
Lord Vishnu (Nārāyaṇa) speaking to Garuḍa (Vinātā-putra)
Concept: Pradyumna, Aniruddha, and Nārāyaṇa complete the fivefold manifestation; yet the Lord remains non-dual (advaya).
Vedantic Theme: Unity-in-manifestation: non-duality maintained amid functional plurality; nāma-rūpa as expressions of the One.
Application: Use the five names/forms as supports for japa, arcana, and contemplation, while remembering their single non-dual source.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.32.2 (pañcatattvārchana announced); Garuda Purana 1.32.4-5 (Vasudeva/Sankarshana; fivefold within Maya)
This verse teaches that the Supreme remains one (advaya) yet is spoken of as manifesting in five recognized divine modes/forms, aiding devotion and contemplation without implying division in the Absolute.
Even while naming distinct forms such as Pradyumna, Aniruddha, and Nārāyaṇa, the text insists the reality behind them is a single, undivided Supreme.
It supports focused worship (choosing a form/name for devotion) while maintaining the understanding that all authentic divine forms point to one Supreme reality—encouraging unity and steadiness in practice.