Śivapūjā-vidhi: Purifications, Sūrya–Graha Mantras, Nyāsa, and Bhūtaśuddhi leading to Śivoham-bhāva
अधर्ंमाद्यं च वह्न्यादौ मध्ये पद्मस्य कर्णिके / वामाज्येष्ठा च पूर्वादौ रौद्री काली च पूर्षदः
adharṃmādyaṃ ca vahnyādau madhye padmasya karṇike / vāmājyeṣṭhā ca pūrvādau raudrī kālī ca pūrṣadaḥ
ادھرم وغیرہ اور اگنی وغیرہ کو ان کی اپنی اپنی سمتوں میں ترتیب سے قائم کرے—کنول کے اندر، درمیان کی کرنیکا میں۔ مشرق سے واما اور جیہشٹھا؛ اسی طرح رَودری، کالی اور پورُشد کو اپنے اپنے مقام پر رکھے۔
Lord Vishnu (in dialogue with Garuda/Vinata-putra)
Concept: Forces of order and disorder are not denied but ritually located and subordinated; the mandala integrates opposites to prevent psychic and ritual imbalance.
Vedantic Theme: Transcending dvandva by witnessing and containing; prakṛti’s guṇas and their fierce forms are placed under conscious regulation.
Application: In contemplative practice, acknowledge negative impulses (adharma) without suppression; ‘place’ them at the periphery under discipline, keeping the center (karnikā) clear and steady.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: inner mandala/lotus diagram
Related Themes: Garuda Purana 1.23.16–20 (āvaraṇa-devatā placement and mantra sequence)
This verse indicates a structured, directional placement of forces/deities within a lotus diagram, implying ritual order (nyāsa/maṇḍala) used to protect and regulate the rite.
While not describing the soul’s travel directly, it supports the ritual technology often associated with funerary and protective procedures—arranging powers in a lotus to safeguard transitions and remove obstacles.
Maintain discipline and clarity in any sacred practice: follow an ordered method, keep ethical conduct (avoid adharma), and treat rituals as structured acts of remembrance and protection rather than improvisation.