Sukeshi’s Inquiry into Dharma: The Seven Dvipas and the Twenty-One Hells
समाजघानाथ हुताशनं हि वरयुधेनाथ वराङ्गमध्ये समाहतो ऽग्निः परिमुच्य शम्बरं तथान्धकं स त्वरितो ऽभ्यधावत् // वम्प्_10.52 तमापतन्तं परिघेण भूयः समाहनन्मूर्ध्नि तदान्धको ऽपि स ताडितो ऽग्निर्दितिजेश्वरेण भयात् प्रदुद्राव रणाजिराद्वि
samājaghānātha hutāśanaṃ hi varayudhenātha varāṅgamadhye samāhato 'gniḥ parimucya śambaraṃ tathāndhakaṃ sa tvarito 'bhyadhāvat // VamP_10.52 tamāpatantaṃ parigheṇa bhūyaḥ samāhananmūrdhni tadāndhako 'pi sa tāḍito 'gnirditijeśvareṇa bhayāt pradudrāva raṇājirādvi
Pagkaraan, hinampas ni Andhaka si Hutāśana, ang Diyos ng Apoy, ng isang napakahusay na sandata sa gitna ng labanan. Nang matamaan, pinakawalan ni Agni si Śambara at mabilis na sumugod kay Andhaka. Habang papalapit si Agni, muling hinampas ni Andhaka ang kanyang ulo gamit ang parigha (bakal na pamalo). Matapos tamaan ng panginoon ng mga Dānava, tumakas si Agni sa takot mula sa larangan ng digmaan.
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Even cosmic powers can be portrayed as strategically withdrawing when overmatched; Purāṇic ethics emphasizes that victory is not merely strength but alignment with dharma and the larger divine order that ultimately reasserts itself.
Vamśānucarita: episodic history of gods and anti-gods (Deva–Asura warfare), illustrating the recurring contest between order and disorder.
Fire (Agni) represents purification and sacrificial order; its temporary defeat by Andhaka symbolizes the suppression of sattvic order by violent tamas, setting the stage for restoration through higher divine intervention.