Shukra’s Curse on King Danda and Andhaka’s Challenge to Shiva
न चैव सा वरारोहा विभिन्ना लाघावान्मया न च जानामि सा कुत्र तस्माद् गच्छामि मार्गितुम्
na caiva sā varārohā vibhinnā lāghāvānmayā na ca jānāmi sā kutra tasmād gacchāmi mārgitum
“At ang babaeng may magandang balakang ay hindi ko napatumba sa aking pagmamadali; ni hindi ko alam kung nasaan siya. Kaya ako’y yayaon upang hanapin siya.”
{ "primaryRasa": "karuna", "secondaryRasa": "vira", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
It removes moral culpability and redirects the narrative from accidental harm to disappearance/abduction, justifying a dharmic search rather than expiation for violence.
It is a conventional kāvya-style epithet for a noble or beautiful woman, signaling her status and desirability—often used when a disappearance triggers conflict or a journey.