Shukra’s Curse on King Danda and Andhaka’s Challenge to Shiva
अपश्यंस्तीर्थसलिले स्नायमानान् नरोत्तमान् ततश्चित्राङ्गदा दृष्ट्वा जटामण्डलधारिणम्/ सुरथं हसती प्राह संरोहत्पुलका सखीम्
apaśyaṃstīrthasalile snāyamānān narottamān tataścitrāṅgadā dṛṣṭvā jaṭāmaṇḍaladhāriṇam/ surathaṃ hasatī prāha saṃrohatpulakā sakhīm
Nakita nila ang mahuhusay na lalaki na naliligo sa tubig ng banal na tawiran (tīrtha). Pagkaraan, si Citrāṅgadā, nang makita si Suratha—na may bilog na bunton ng mga buhol-buhol na buhok (jaṭā)—ay ngumiti at nagsalita sa kanyang kaibigan, nangingilabot ang katawan sa pananabik.
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In Purāṇic geography, the defining act of a tīrtha is snāna. Mentioning ‘tīrtha-salila’ signals that the scene is anchored in a sanctified hydroscape where merit (puṇya) is accessed through contact with the water.
It marks Suratha as adopting ascetic appearance—matted locks arranged like a ‘maṇḍala’ (a circular crown/halo). This can indicate a vow (vrata), penance (tapas), or affiliation with Śaiva/ṛṣi culture typical of tīrtha environments.
Pulaka is a conventional sign of sudden emotional surge—recognition, love, awe, or devotional intensity. Here it foreshadows that Suratha is not a random ascetic but someone tied to her prior life-story or relationship, prompting the next explanatory speech.