Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
स एव धन्यो हि पिता यस्य पुत्री शुभं पतिम् रूपाभिजनसंपत्त्या प्राप्नोति गिरिसत्तम
sa eva dhanyo hi pitā yasya putrī śubhaṃ patim rūpābhijanasaṃpattyā prāpnoti girisattama
Tunay nga, ang ama lamang ang mapalad na ang kaniyang anak na babae ay nakakamit ang isang mapalad na asawa dahil sa kagandahan, marangal na angkan, at kasaganaan—O pinakamainam sa mga bundok.
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The verse frames familial duty and social harmony: a father’s ‘blessedness’ is linked to establishing the daughter in a worthy marriage, reflecting the Purāṇic ethic of household order (gṛhastha-dharma) as a support of cosmic order.
Vamśānucarita/embedded narrative instruction: it uses a genealogical-mythic setting (Himālaya as archetypal father) to teach dharma; not a cosmological creation segment.
Addressing ‘best of mountains’ evokes Himālaya’s stability and sanctity: the daughter’s auspicious alliance symbolizes the channeling of raw power/beauty (rūpa) and inherited virtue (abhijana) into dharmic union, which in Śaiva-Śākta myth culminates in Devī’s union with Śiva.