Shiva’s Kedara-Tirtha and the Rise of Mura: From Shaiva Pilgrimage to Vaishnava Theology
स्नानदानतपांसीह होमजप्यादिकाः क्रियाः भविष्यन्त्यक्षया नॄणां मृतानामपुनर्भवः
snānadānatapāṃsīha homajapyādikāḥ kriyāḥ bhaviṣyantyakṣayā nṝṇāṃ mṛtānāmapunarbhavaḥ
O leon sa mga asceta, ang mga gawaing gaya ng pagligo sa banal na tīrtha, pagbibigay ng kaloob (dāna), pag-aayuno at pagtitiis (tapas), handog sa apoy (homa), pagbigkas ng mantra (japa), at mga kaugnay na ritwal ay nagiging di-nasisira para sa mga tao; at para sa mga yumao ay may “di-pagbabalik,” ibig sabihi’y kalayaan sa muling pagsilang.
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The verse frames a tīrtha as a merit-multiplier: when standard dharmic acts (snāna, dāna, homa, japa) are performed in a sanctified geography, their fruit is described as inexhaustible (akṣaya), a common Purāṇic idiom for intensified karmic yield.
Purāṇic usage often speaks in idealized terms: ‘apunarbhava’ indicates release from return to saṃsāra, typically understood as the highest fruit available through the tīrtha’s grace, especially when rites are performed with proper intention, purity, and ancillary observances.
‘Tapāṃsīha’ is an honorific (“lion among ascetics”) used for the listener—often a sage—signaling that the teaching is being delivered within a r̥ṣi-to-r̥ṣi (or narrator-to-sage) dialogue typical of Purāṇic tīrtha sections.