Akhaṇḍa-Ekādaśī Vrata and the Vaiṣṇava Protective Hymn; Prelude to the Kātyāyanī–Mahiṣāsura Narrative
ततो निवारितो यक्षैर्हयारिर्मदनातुरः निपपात सरो दिव्यं ततो दैत्यैऽभवन्मृतः
tato nivārito yakṣairhayārirmadanāturaḥ nipapāta saro divyaṃ tato daityai'bhavanmṛtaḥ
Pagkatapos si Hayāri, na pinigilan ng mga Yakṣa at pinahirapan ng kabaliwan, ay nahulog sa banal na lawa; dahil doon ang Daitya na iyon ay namatay.
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Uncontrolled mada (frenzy, intoxication, pride) precipitates downfall; sacred spaces become arenas where adharma culminates in self-destruction, underscoring restraint and dharma.
Primarily Vamśānucarita/Carita-style narrative (accounts of beings and events) within a Tīrtha-māhātmya frame; not sarga/pratisarga but episodic exemplum tied to place-sanctity.
The 'divine lake' functions as a moral boundary: when approached with violence and delusion, it becomes a threshold of death rather than purification—highlighting that tīrtha-phala depends on inner disposition.