परां चतुर्मुखोत्पत्तिकल्पसंकल्पनामिव । शरणं स जगामाशु विनीतात्मा स्तुवन्निति
parāṃ caturmukhotpattikalpasaṃkalpanāmiva | śaraṇaṃ sa jagāmāśu vinītātmā stuvanniti
Pagkaraan, taglay ang pusong mapagpakumbaba, dali-dali siyang sumilong at naghanap ng kanlungan—kasingtaas ng banal na pasyang lumikha na nagluwal kay Brahmā na may apat na mukha—at nagsimulang pumuri nang ganito.
Narrator (transition into Śiva’s hymn)
Tirtha: Ayodhyā
Type: kshetra
Scene: A devotee (or deity) with bowed head and folded hands approaches the radiant Viṣṇu; behind, a subtle cosmic tableau hints at Brahmā’s origin—lotus/creation symbolism—signifying the Lord as the source and refuge.
Humility and refuge (śaraṇāgati) are presented as the doorway to authentic praise and grace.
Ayodhyā, as the devotional setting where surrender and stuti unfold.
No explicit rite; the implied practice is stuti (hymnic praise) with a humble mind.
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