Śiva-nāma-sahasraka-kathana
The Recital/Teaching of the Thousand Names of Śiva
पद्मगर्भो महागर्भो विश्वगर्भो विचक्षणः । परावरज्ञो वरदो वरेण्यश्च महास्वनः
padmagarbho mahāgarbho viśvagarbho vicakṣaṇaḥ | parāvarajño varado vareṇyaśca mahāsvanaḥ
Siya ang Sinapupunan ng lotus (pinagmulan ni Brahmā), ang Dakilang Sinapupunan, ang Sinapupunan ng buong sansinukob, at ang Lubos na Marunong Kumilatis. Nalalaman Niya ang mataas at mababa (ang transendente at ang nasa loob ng daigdig), Siya ang Tagapagkaloob ng biyaya, ang Pinaka-karapat-dapat piliin at sambahin, at Siya ang may makapangyarihang dagundong na nakapangingilabot.
Suta Goswami
Tattva Level: pati
Shiva Form: Sadyojāta
Mantra: पद्मगर्भो महागर्भो विश्वगर्भो विचक्षणः । परावरज्ञो वरदो वरेण्यश्च महास्वनः
Type: stotra
Shakti Form: Pārvatī
Role: creative
Cosmic Event: Implied cosmogony: emergence of Brahmā (padma-garbha) and universal manifestation from Śiva as causal ground.
The verse praises Shiva as Pati—the ultimate Lord who is both the transcendent reality and the immanent source of the cosmos, showing that liberation comes from recognizing Him as the ground of all creation and the supreme knower.
These epithets are used as devotional names for Saguna Shiva, and in Jyotirlinga/Linga worship they function as contemplative attributes—meditating on Shiva as the universe’s source while offering water, bilva leaves, and mantra-japa.
Practice nāma-smaraṇa and japa of the Panchakshara (Om Namaḥ Śivāya) while contemplating Shiva as viśvagarbha (the cosmic source), ideally alongside Linga-abhisheka with bilva and a steady, inward listening to the ‘mahāsvana’—the sacred resonance.