Śiva-nāma-sahasraka-kathana
The Recital/Teaching of the Thousand Names of Śiva
बालखिल्यो महावीरस्तिग्मांशुर्बधिरः खगः । अभिरामः सुशरणः सुब्रह्मण्यः सुधापतिः
bālakhilyo mahāvīrastigmāṃśurbadhiraḥ khagaḥ | abhirāmaḥ suśaraṇaḥ subrahmaṇyaḥ sudhāpatiḥ
Siya ang Bālakhilya—banayad at matipid; ang Dakilang Bayani; ang Maningning na may matatalim na sinag; ang Tahimik; ang Naglalakbay sa Langit. Siya ang Kalugud-lugod, ang mahusay na Kanlungan, ang mapagbiyayang Tagapagtanggol ng mga banal at ng mga Brahmana, at ang Panginoon ng nektar ng imortalidad.
Suta Goswami
Tattva Level: pati
Shiva Form: Īśāna
Type: stotra
Role: liberating
This verse presents Shiva as both transcendent and accessible: beyond the senses (“badhiraḥ” as silence beyond hearing) yet the sure refuge (“suśaraṇaḥ”). In Shaiva Siddhanta, such names guide the soul (paśu) to surrender to the Lord (Pati) who alone grants liberation.
These epithets are used as contemplative supports in Saguna worship—chanting and meditating on Shiva’s qualities while offering to the Linga. The names point from form to formless: the Linga is worshipped as the manifest sign of the Reality that is ultimately beyond sensory limitation.
Nama-japa and śaraṇāgati: chant Shiva’s names (or the Panchakshara “Om Namaḥ Śivāya”) with the attitude of taking refuge in him (“suśaraṇaḥ”), ideally alongside Linga-pūjā with water/abhisheka and mindful meditation on Shiva as the giver of amṛta (“sudhāpatiḥ”).