Śiva-nāma-sahasraka-kathana
The Recital/Teaching of the Thousand Names of Śiva
स्तव्यः स्तवप्रियः स्तोता व्यासमूर्तिर्निरंकुलः । निरवद्यमयोपायो विद्याराशिश्च सत्कृतः
stavyaḥ stavapriyaḥ stotā vyāsamūrtirniraṃkulaḥ | niravadyamayopāyo vidyārāśiśca satkṛtaḥ
Si Śiva ay karapat-dapat purihin; kinalulugdan Niya ang mga himno; at Siya mismo ang tunay na tagapuri at mang-aawit ng papuri. Siya ang anyo ni Vyāsa, laging payapa at di-nalilito. Siya ang walang kapintasang upāya, ang ganap na paraan tungo sa kabutihan; Siya ang kayamanan ng banal na kaalaman at marapat na pinararangalan ng mga matuwid.
Suta Goswami
Tattva Level: pati
Shiva Form: Dakṣiṇāmūrti
Type: stotra
Role: teaching
Offering: pushpa
The verse presents Shiva as both the supreme object of devotion and the inner source of devotion itself—worthy of praise, pleased by sincere stuti, and the flawless upāya for liberation, combining grace (anugraha) with right knowledge.
By emphasizing Shiva as “stavapriya” and “stavyah,” it supports Saguna worship—approaching the Lord through hymns, names, and forms such as the Jyotirlinga—while also pointing to His transcendent stability (“niraṅkulaḥ”) beyond mental disturbance.
Regular recitation of Shiva-stotras and japa—especially with the Panchakshara (Om Namaḥ Śivāya)—is implied as a pure means; it can be paired with traditional Shaiva observances like bhasma (tripuṇḍra) and Rudrākṣa as supports for steadiness and devotion.