न्यासवर्णनम् (Nyāsa-varṇanam) — Description of Nyāsa in the Saṃnyāsa Procedure
धर्मं ज्ञानं च वैराग्यमैश्वर्यं च चतुष्टयम् । अधर्माद्यग्निकोणादिकोणेषु च समर्चयेत्
dharmaṃ jñānaṃ ca vairāgyamaiśvaryaṃ ca catuṣṭayam | adharmādyagnikoṇādikoṇeṣu ca samarcayet
Dapat sambahin ang apat na kadakilaan—dharma (tuwid na asal), jñāna (tunay na kaalaman), vairāgya (paglayo sa pagkapit), at aiśvarya (makapangyarihang espirituwal na pagka-Panginoon)—na inilalagay sa mga sulok ayon sa ritwal, simula sa sulok ng apoy, kasama ang mga kabaligtaran gaya ng adharma. Sa gayon, itinatapat ng sādhaka ang panlabas na pagsamba sa panloob na pagwawagi sa mga gapos, at pinararangalan si Śiva bilang Pati, ang Tagapagkaloob ng kalayaan.
Suta Goswami (narrating the Kailasa teachings as a Purāṇic discourse to the sages)
Tattva Level: pashu
Shiva Form: Dakṣiṇāmūrti
Role: teaching
Offering: pushpa
It teaches that true Śaiva worship is both external and internal: the devotee honors dharma, jñāna, vairāgya, and aiśvarya as liberating qualities, while consciously recognizing and overcoming their opposites (like adharma). This aligns with Shaiva Siddhanta’s aim of removing pāśa (bondage) so the pashu (soul) may realize the grace of Pati (Śiva).
In Linga-worship, directional placement and nyāsa-like ordering are used to sanctify space; here that structure is given a philosophical meaning—placing virtues and acknowledging their negations—so Saguna Śiva worship becomes a disciplined method for inner purification leading toward the realization of Śiva beyond form.
It suggests a mandala-style, direction-based worship: mentally (or in a yantra/altar) place the four virtues in the prescribed corners beginning from the agni-koṇa, while meditating on abandoning adharma and related impurities, and then offer worship to Śiva with mantra and steady awareness.