Śiva-Śakti Tattva, Varṇa-Rahasya, and Mahāvākya-Bhāvanā
Interpretive Discipline
शिष्यासनं सम्प्रपूज्य षडुत्थापनमार्गतः । शिवासनं च संकल्प्य शिवमूर्तिं प्रकल्पयेत्
śiṣyāsanaṃ samprapūjya ṣaḍutthāpanamārgataḥ | śivāsanaṃ ca saṃkalpya śivamūrtiṃ prakalpayet
Matapos sambahin nang wasto ang upuan ng alagad ayon sa anim-na-paraan ng pag-aanyaya at paglalagak, saka magpasiya sa isip tungkol sa sariling upuan ni Śiva at itatag nang nararapat ang banal na anyo (mūrti) ni Śiva.
Suta Goswami (narrating the Kailāsa-saṃhitā’s worship procedure to the sages at Naimiṣāraṇya)
Tattva Level: pasha
Role: nurturing
It teaches disciplined worship: the sādhaka purifies and orders the ritual space (including the worshipper’s seat), then makes a sankalpa and establishes Śiva’s presence, aligning outer action with inner intention—key to Shaiva Siddhanta devotion to Pati (Śiva).
By instructing the devotee to ‘establish Śiva’s seat and form,’ it supports saguna-upāsanā—invoking and installing Śiva in a worshipful locus (liṅga or mūrti) so the mind can concentrate on Śiva as the gracious Lord who grants purification and liberation.
A structured pūjā sequence: worship the āsana, perform a sixfold installation/invocation method, take sankalpa, and then set up Śiva’s mūrti—serving as a meditative anchor for mantra-japa (such as the Pañcākṣarī, “Om Namaḥ Śivāya”) during worship.