अयोध्यानगरवर्णनम्
Description of Ayodhya and the Ikshvaku Royal Setting
तामग्निमद्भिर्गुणवद्भिरावृतांद्विजोत्तमैर्वेदषडङ्गपारगै: ।सहस्रदैस्सत्यरतैर्महात्मभिर्महर्षिकल्पै ऋषिभिश्च केवलै: ।।।।
tām agnimadbhir guṇavadbhir āvṛtāṃ dvijottamair vedaṣaḍaṅgapāragaiḥ | sahasradaiḥ satyaratair mahātmabhir maharṣikalpai ṛṣibhiś ca kevalaiḥ ||
Ang Ayodhyā na yaon ay napaliligiran ng pinakamahuhusay sa mga dvija—mga tagapag-ingat ng banal na apoy, puspos ng kabutihan, at ganap sa Veda at sa anim na Vedāṅga—mapagkaloob ng mga handog na libu-libo, tapat sa katotohanan, dakila ang loob, at tulad ng mga maharṣi, na may mga natatanging ṛṣi sa kanilang hanay.
The city was inhabited by thousands of warriors known as maharathas. They were skilled archers and sharphanded. They would not pierce with arrows, solitary persons, persons without defence, fleeing foes who could be tracked down through hints from sound. With sharp arrows or with the strength of their arms, they would kill roaring and inebriated lions, tigers, boars etc. in the forest. It was in that city (of Ayodhya) that king Dasaratha lived.
Satya and dharma as social foundations: truthfulness, ritual responsibility, learning, and generosity are presented as the pillars that sustain an ideal kingdom.
The description culminates by praising Ayodhyā’s learned, truthful, and charitable community, closing the sarga’s portrayal of the capital’s excellence.
Truth-devotion (satya-rati) and generosity (dāna), supported by learning and disciplined religious practice.