Shloka 44
Śatrughna’s Entry into Ahicchatrā
Temptation of Sumada and the Goddess’s Boon
सर्वं दास्यति सर्वज्ञ राजा सुमदनामधृक् । अधुनातन्महाराज रामचंद्र प्रतापतः
sarvaṃ dāsyati sarvajña rājā sumadanāmadhṛk | adhunātanmahārāja rāmacaṃdra pratāpataḥ
O ganap na nakaaalam, ang haring nagngangalang Sumada ay ngayo’y ipagkakaloob ang lahat, O dakilang hari—sa bisa ng makapangyarihang tapang ni Rāmacandra.
Unclear from the single-verse excerpt (context needed from surrounding verses of Pātālakhaṇḍa 5.13).
Concept: Rāmacandra’s prowess inspires dharmic generosity; devotion to the avatāra transforms kingship into giving rather than grasping.
Application: Let admiration for noble exemplars (Rāma) translate into concrete generosity—sharing resources, credit, and protection with others.
Primary Rasa: vira
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"In a royal hall, King Sumada rises from his throne and gestures toward overflowing gifts—gold vessels, cloth, cows, and jewels—offered with humility. Above or behind, a subtle vision of Rāmacandra’s radiant presence (or emblem) signifies that this generosity flows from Rāma’s mighty influence and dharmic charisma.","primary_figures":["King Sumada","Rāmacandra (visionary presence or emblematic depiction)","Courtiers","Brahmins/recipients","Herald"],"setting":"Royal audience hall with carved pillars, gift piles arranged ceremonially, and a banner bearing Rāma’s insignia (bow).","lighting_mood":"temple lamp-lit","color_palette":["royal crimson","antique gold","emerald green","pearl white","midnight blue"],"tanjore_prompt":"Tanjore painting style: Sumada in jeweled crown offering heaps of dāna; a gold-leafed radiant Rāma with bow in a haloed vignette above; rich reds/greens, ornate pillars, gem-studded ornaments, symmetrical court composition.","pahari_prompt":"Pahari miniature style: intimate court scene with refined expressions; Sumada’s open-handed gesture; a soft, cloud-like apparition of Rāma in the upper corner; delicate textiles, cool shadows, lyrical detailing.","kerala_mural_prompt":"Kerala mural style: bold outlines; Sumada presenting gifts; Rāma as a stylized divine figure with bow and halo; warm pigment blocks, temple-wall narrative clarity.","pichwai_prompt":"Pichwai cloth painting style: central motif of dāna arranged like a lotus mandala; Rāma’s emblematic bow and lotus borders; deep blue background with gold highlights, floral creepers and peacocks framing the generosity theme."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","soft mridangam","recited stuti cadence","rustle of silk and garlands","conch shell (closing)"]}
Sandhi Resolution Notes: सुमद + नाम + धृक् → सुमदनामधृक्; अधुना + तत् + महा-राज → अधुनातन्महाराज; राम + चन्द्र → रामचंद्र
FAQs
It highlights royal generosity (dāna) and attributes the king’s forthcoming gifts to the inspiring or enabling prowess (pratāpa) of Rāmacandra.
The verse addresses two honorifics—“sarvajña” (all-knowing) and “mahārāja” (great king)—but the specific identities cannot be fixed from this single verse without the surrounding dialogue context.
By invoking Rāmacandra (an avatāra of Viṣṇu) as the source of “pratāpa,” it frames righteous action and generosity as empowered by devotion to, or association with, the divine.