Shloka 6
धनंजयस्य आश्वासनम्
Dhanaṃjaya’s Reassurance and the Opening Engagement
शतं शतसहस्राणां यत्र स्थूणा हिरण्मयी । मणिरत्नमयी चान्या प्रासादं तदधारयत्,उन विमानोंमें देवराज इन्द्रका आकाशचारी विमान उस समय सबसे अधिक शोभा पा रहा था। वह इच्छानुसार चलनेवाला दिव्य यान सब प्रकारके रत्नोंसे विभूषित था। उस विमानको एक करोड़ खंभोंने धारण कर रखा था। उनमें एक ओर सोनेके और दूसरी ओर मणि एवं रत्नोंके खंभे लगे थे
śataṁ śata-sahasrāṇāṁ yatra sthūṇā hiraṇmayī | maṇi-ratna-mayī cānyā prāsādaṁ tad adhārayat ||
Sinabi ni Vaiśampāyana: “Naroon ang isang maringal na palasyo na sinusuportahan ng di-mabilang na mga haligi—ang ilan ay yari sa ginto, ang iba nama’y inukitan at ininlay ng mga hiyas at batong mahalaga—kaya’t ang buong gusali’y wari’y itinataguyod ng yaman at ng gawang-maka-diyos, na nagpapagunita sa karangyaan ng langit ni Indra.”
वैशम्पायन उवाच
Educational Q&A
The verse primarily serves descriptive (kāvya-like) narration rather than direct moral instruction; it highlights how worldly and even celestial magnificence is constructed from material splendour, implicitly contrasting external grandeur with the inner virtues that the epic elsewhere upholds as true dharma.
Vaiśampāyana describes a magnificent palace or celestial-like structure, emphasizing its innumerable supporting pillars—some golden and others made of gems and precious stones—creating an atmosphere of extraordinary, Indra-like opulence.