नलस्य बाहुकत्वेन ऋतुपर्णनगरप्रवेशः
Nala as Bāhuka enters Ṛtuparṇa’s city
किंशुकाशोकबकुलपुन्नागैरुपशोभितम् । कर्णिकारधवप्लक्षै: सुपुष्पैरपशोभितम्,पलाश, अशोक, बकुल, पुन्नाग, कनेर, धव तथा प्लक्ष आदि सुन्दर फूलोंवाले वृक्षोंसे वह पर्वत सुशोभित हो रहा है
bṛhadaśva uvāca |
kiṃśukāśokabakula-punnāgair upaśobhitam |
karṇikāra-dhava-plakṣaiḥ supuṣpair apaśobhitam ||
Ang bundok na iyon ay pinalamutian ng mga punong kiṃśuka at aśoka, pati ng bakula at punnāga; at lalo pang pinaganda ng karṇikāra, dhava, at plakṣa—pawang may mariringal na pamumulaklak.
बृहृदश्च उवाच
The verse highlights the Mahābhārata’s ethical-aesthetic sensibility: even amid exile and hardship, attentiveness to the natural world cultivates steadiness, gratitude, and restraint—qualities supportive of dharma.
Bṛhadaśva is describing a mountain landscape in the forest, emphasizing how it is richly ornamented by various flowering trees, setting the scene and mood for the surrounding episode in Vana Parva.