नलस्य बाहुकत्वेन ऋतुपर्णनगरप्रवेशः
Nala as Bāhuka enters Ṛtuparṇa’s city
अहो! इस घोर वनमें मेरा विलाप सुनकर भी यह सिंह मुझे सान्त्वना नहीं देता। यह तो स्वादिष्ट जलसे भरी हुई इस समुद्रगामिनी नदीकी ओर जा रहा है ।। इमं शिलोच्चयं पुण्यं शज्जैर्बहुभिरुच्छितै: । विराजद्धिरिवानेकै्नैंकवर्णर्मनोरमै:,अच्छा, इस पवित्र पर्वतसे ही पूछती हूँ। यह बहुत-से ऊँचे-ऊँचे शोभाशाली बहुरंगे एवं मनोरम शिखरोंद्वारा सुशोभित है
bṛhadaśva uvāca | aho! asmin ghore vane mama vilāpaṃ śrutvāpi eṣa siṃho māṃ sāntvayati na | eṣa tu svādu-jalena pūrṇāṃ samudragāminīṃ nadīm prati gacchati || imaṃ śiloccayaṃ puṇyaṃ śṛṅgair bahubhir ucchritaiḥ | virājaddhir iva anekair nānāvarṇair manoramaiḥ ||
Sinabi ni Bṛhadaśva: “Ay! Kahit marinig ang aking panaghoy sa kakila-kilabot na gubat na ito, hindi man lamang ako inaaliw ng leon na ito. Sa halip, patungo siya sa ilog na umaagos tungo sa dagat, hitik sa matamis na tubig. Kaya tatanungin ko na lamang ang banal na tuktok ng bundok na ito—na pinalalamutian ng maraming matatayog na taluktok, kumikislap na wari’y may sari-saring kulay na mga tuktok na kaaya-ayang pagmasdan.”
बृहृदश्च उवाच
The verse highlights how, in distress, one may seek reassurance from the world around oneself when living beings offer none; it underscores endurance in suffering and the human impulse to look for meaning and guidance even in nature.
The speaker laments in a frightening forest. A lion, indifferent to the lament, heads toward a sweet-water river flowing to the sea. The speaker then turns attention to a sacred mountain-peak, described as richly adorned with many colorful, lofty summits, intending to ‘ask’ it for insight or response.