Shloka 4
Raibhya-putrayoḥ satra-vṛttāntaḥ — The Satra Episode of Raibhya’s Sons
Parāvasu and Arvāvasu
अथावलोककोडगच्छद् गृहानेक: परावसु: । कृष्णाजिनेन संवीतं ददर्श पितरं वने,कुन्तीनन्दन! पिताकी आज्ञा पाकर वे दोनों भाई राजाके यज्ञमें चले गये। आश्रममें केवल रैभ्य मुनि तथा उनके पुत्र परावसुकी पत्नी रह गयी। एक दिन घरकी देख-भाल करनेके लिये परावसु अकेले ही आश्रमपर आये। उस समय उन्होंने काले मृगचर्मसे ढके हुए अपने पिताको वनमें देखा
athāvalokakoḍagacchad gṛhānekaḥ parāvasuḥ | kṛṣṇājinena saṃvītaṃ dadarśa pitaraṃ vane, kuntīnandana! pitākī ājñā pākar ve donoṃ bhāī rājāke yajñameṃ cale gaye | āśramameṃ kevalaṃ raibhya muni tathā unke putra parāvasukī patnī rah gayī | eka dina gharakī dekh-bhāl karaneke liye parāvasu akelā hī āśramapar āye | usa samaya unhoṃne kāle mṛgacarmase ḍhake hue apane pitāko vanameṃ dekhā
Pagkaraan, si Parāvasu, na nag-iisang bumalik upang asikasuhin ang tahanan, ay nagtungo sa āśrama. Doon, sa gubat, nakita niya ang kanyang ama na nababalutan ng balat ng itim na antilope. O anak ni Kuntī, matapos tanggapin ang utos ng ama, ang dalawang magkapatid ay nagtungo sa paghahandog ng hari; sa āśrama ay naiwan lamang ang pantas na si Raibhya at ang asawa ni Parāvasu. Ang tanawing ito ang nagbubukas ng tensiyong moral sa pagitan ng pagsunod sa nakatatanda, ng tungkuling pangtahanan, at ng panganib ng maling pagkilala at padalus-dalos na paghatol sa isang banal na pook.
लोगश उवाच
Educational Q&A
The verse foregrounds dharma in everyday conduct: even in sacred spaces like an āśrama, one must act with restraint and clarity. Obedience to a father’s command and participation in ritual duty are important, but so is careful perception—misreading a situation can lead to grave ethical failure.
After the two brothers depart for a king’s sacrifice on their father’s instruction, Parāvasu later returns alone to manage the hermitage. In the forest he sees his father covered with a black antelope-skin, a detail that signals ascetic context and foreshadows potential misunderstanding in what follows.