राजान: पार्थिवा: सर्वे प्रोक्षिता: कालधर्मणा । गाण्डीवानिनें प्रवेक्ष्यन्ति पतज्रा इव पावकम्,भूमण्डलके समस्त राजाओंका वध करनेके लिये मानो कालधर्मा यमराजने उनका प्रोक्षण (संस्कार) किया है; अत: जैसे पतंग आगमें गिरते हैं, वैसे ही ये सब नरेश गाण्डीव धनुषकी आगमें समा जायँगे
rājānaḥ pārthivāḥ sarve prokṣitāḥ kāladharmaṇā | gāṇḍīvāgninā pravekṣyanti pataṅgā iva pāvakam ||
Wika ni Dhṛtarāṣṭra: “Ang lahat ng haring ito at mga pinunong makalupa ay waring binasbasan na ng di-maiiwasang batas ng Panahon para sa kamatayan. Kaya papasok sila sa apoy ng busog na Gāṇḍīva—gaya ng mga gamu-gamo na sumusuong sa naglalagablab na apoy.”
धृतराष्ट उवाच
The verse frames war’s destruction through the lens of kāla-dharma—Time’s inevitable order—suggesting that when adharma ripens, even mighty rulers become like offerings prepared for death. It warns of the moral and existential inevitability of consequences, while highlighting the terrifying momentum of conflict once set in motion.
Dhṛtarāṣṭra, anxious about the coming war, envisions the assembled kings being drawn toward annihilation. He uses a sacrificial image (‘prokṣita’, consecrated) and a vivid simile: the rulers will plunge into the ‘fire’ of Arjuna’s Gāṇḍīva like moths into flame—foretelling mass slaughter in the impending Kurukṣetra conflict.