Shloka 27

राजान: पार्थिवा: सर्वे प्रोक्षिता: कालधर्मणा । गाण्डीवानिनें प्रवेक्ष्यन्ति पतज्रा इव पावकम्‌,भूमण्डलके समस्त राजाओंका वध करनेके लिये मानो कालधर्मा यमराजने उनका प्रोक्षण (संस्कार) किया है; अत: जैसे पतंग आगमें गिरते हैं, वैसे ही ये सब नरेश गाण्डीव धनुषकी आगमें समा जायँगे

rājānaḥ pārthivāḥ sarve prokṣitāḥ kāladharmaṇā | gāṇḍīvāgninā pravekṣyanti pataṅgā iva pāvakam ||

Wika ni Dhṛtarāṣṭra: “Ang lahat ng haring ito at mga pinunong makalupa ay waring binasbasan na ng di-maiiwasang batas ng Panahon para sa kamatayan. Kaya papasok sila sa apoy ng busog na Gāṇḍīva—gaya ng mga gamu-gamo na sumusuong sa naglalagablab na apoy.”

राजानःkings
राजानः:
Karta
TypeNoun
Rootराजन्
FormMasculine, Nominative, Plural
पार्थिवाःearthly rulers, monarchs
पार्थिवाः:
Karta
TypeNoun
Rootपार्थिव
FormMasculine, Nominative, Plural
सर्वेall
सर्वे:
Karta
TypeAdjective
Rootसर्व
FormMasculine, Nominative, Plural
प्रोक्षिताःsprinkled, consecrated
प्रोक्षिताः:
Karta
TypeVerb
Rootप्र-उक्ष्
FormMasculine, Nominative, Plural, Past passive participle (क्त)
कालधर्मणाby Time-as-law (i.e., by Death’s ordinance)
कालधर्मणा:
Karana
TypeNoun
Rootकालधर्म
FormMasculine, Instrumental, Singular
गाण्डीवानलम्the Gāṇḍīva-fire (the blazing Gāṇḍīva bow)
गाण्डीवानलम्:
Karma
TypeNoun
Rootगाण्डीव-अनल
FormMasculine, Accusative, Singular
प्रवेक्ष्यन्तिwill enter
प्रवेक्ष्यन्ति:
Karma
TypeVerb
Rootप्र-विश्
FormFuture (लृट्), Third, Plural, Parasmaipada
पतङ्गाःmoths
पतङ्गाः:
Karta
TypeNoun
Rootपतङ्ग
FormMasculine, Nominative, Plural
इवlike, as
इव:
TypeIndeclinable
Rootइव
पावकम्fire
पावकम्:
Karma
TypeNoun
Rootपावक
FormMasculine, Accusative, Singular

धृतराष्ट उवाच

D
Dhṛtarāṣṭra
K
kings (rājānaḥ, pārthivāḥ)
K
Kāla-dharma (law of Time / Death principle)
Y
Yama (implied by kāladharma as death-ordainer)
G
Gāṇḍīva (Arjuna’s bow)
F
fire (agni/pāvaka)
M
moths (pataṅga)

Educational Q&A

The verse frames war’s destruction through the lens of kāla-dharma—Time’s inevitable order—suggesting that when adharma ripens, even mighty rulers become like offerings prepared for death. It warns of the moral and existential inevitability of consequences, while highlighting the terrifying momentum of conflict once set in motion.

Dhṛtarāṣṭra, anxious about the coming war, envisions the assembled kings being drawn toward annihilation. He uses a sacrificial image (‘prokṣita’, consecrated) and a vivid simile: the rulers will plunge into the ‘fire’ of Arjuna’s Gāṇḍīva like moths into flame—foretelling mass slaughter in the impending Kurukṣetra conflict.