Mahabharata — Svargarohana Parva, Shloka 15
Svargārohaṇa-parva Adhyāya 5 — Karmaphala-Nirdeśa and Phalāśruti (कर्मफलनिर्देशः फलश्रुतिश्च)
पत्नीभ्यां सहित: पाण्डुमहेन्द्रसदनं ययौ । विराटद्रुपदौ चोभौ धृष्टकेतुश्न पार्थिव:
patnībhyāṃ sahitaḥ pāṇḍu-mahendra-sadanaṃ yayau | virāṭa-drupadau cobhau dhṛṣṭaketuś ca pārthivaḥ viśveṣāṃ devatānāṃ te viviśur nara-sattamāḥ |
Sinabi ni Vaiśaṃpāyana: Si Haring Pāṇḍu, kasama ang dalawa niyang asawa, ay nagtungo sa palasyo ni Mahendra (Indra). Gayundin, sina Haring Virāṭa at Drupada, at ang maharlikang Dhṛṣṭaketu—mga pinakamainam sa mga tao—ay pumasok sa kalagayan ng mga Viśvedevas. At naroon din sina Niśaṭha, Akrūra, Sāmba, Bhānu, Kampa, Vidūratha, Bhūriśravā, Śala, Bhūri—panginoon ng lupa—Kāṁsa, Ugrāsena, Vasudeva, at si Uttara kasama ang kapatid niyang si Śaṅkha; ang lahat ng mga dakilang iyon ay nagkaisa bilang anyo ng mga Viśvedevas.
वैशम्पायन उवाच
Educational Q&A
The verse emphasizes the culmination of human life in its appointed end: worldly status and royal power are impermanent, while one’s final ‘going’ (gati) is aligned with cosmic order. The narrative frames death and posthumous attainment not as mere loss but as integration into a higher, divinely ordered reality, reinforcing the Mahābhārata’s ethical insistence on dharma as the enduring measure of a life.
In the closing movement of Svargārohaṇa, the narrator lists the posthumous destinations of key figures. Here, Pāṇḍu proceeds with his two wives to Indra’s abode, while other eminent kings—Virāṭa, Drupada, and Dhṛṣṭaketu—are said to enter the state of the Viśvedevas, indicating their transformation/absorption into specific divine orders.