स्त्रीपर्व — नवमोऽध्यायः | Dhṛtarāṣṭra summons the Kuru women; the city departs in collective lamentation
शरीराग्निषु शूराणां जुह॒ुवुस्ते शराहुती: । हूयमानान् शरांश्वैव सेहुरुत्तमपूरुषा:
śarīrāgniṣu śūrāṇāṃ juhuvuḥ te śarāhutīḥ | hūyamānān śarāṃś caiva sehur uttama-pūruṣāḥ ||
Sinabi ni Vaiśaṃpāyana: Yaong mga pinakadakilang lalaki, ang mga bayani, ay nagbuhos ng mga handog na palaso sa apoy ng katawan ng mga mandirigma; at habang ang mga palasong iyon ay “inihahandog” sa kanila, tiniis nila ang tama—pinasan ang mga sugat nang may tatag na nararapat sa pinakamahuhusay na tao.
वैशम्पायन उवाच
The verse uses yajña (sacrifice) imagery to portray martial endurance as disciplined self-offering: warriors bear pain and death with steadiness, aligning courage and restraint with kṣatriya-dharma even amid tragic violence.
In the aftermath of the great battle (Stree Parva’s lamentation setting), the narrator describes how heroes fought: arrows were ‘offered’ into their bodies as if into sacrificial fires, and the foremost men endured those wounds—emphasizing both the ferocity of combat and the warriors’ steadfastness.
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