Shloka 216
Yuddha-yajña-vyākhyāna (The Battle as Sacrifice): Ambarīṣa–Indra Saṃvāda
सास्य पूर्णाहुतिहोंमे समृद्धा सर्वकामधुक् । वीरोंके शरीरसे संग्रामभूमिमें बड़े वेगसे जो रक्तकी धारा बहती है, वही उस युद्धयज्ञके होममें समस्त कामनाओं को पूर्ण करनेवाली समृद्धिशालिनी पूर्णाहुति है
sāsya pūrṇāhutir home samṛddhā sarvakāmadhuk | vīrāṇāṁ śarīrāt saṅgrāmabhūmau mahāvegāt yo raktadhārā pravahati, saiva tasya yuddhayajñasya home samastakāmanāpūraṇī samṛddhiśālinī pūrṇāhutiḥ |
Ipinahayag ni Ambarīṣa na sa apoy ng handog ng “digma bilang yajña,” ang tunay at saganang pangwakas na alay—yaong “tumutugon sa lahat ng pagnanais”—ay ang rumaragasang agos ng dugo na mabilis na bumubuhos mula sa mga katawan ng mga bayani sa larangan ng labanan. Sa kanyang pagtanaw, ang pagbubuhos na iyon mismo ang nagiging alay na nagtatapos sa ritwal, na naglalarawan ng isang mahigpit na pananaw-etikal kung saan ang kamatayan sa digmaan ay ginagawang ritwal at ang halaga ng karahasan ay binabasa sa pamamagitan ng sagisag ng paghahandog.
अम्बरीष उवाच
Educational Q&A
The verse presents a severe sacrificial metaphor: war is treated as a yajña, and the ‘final oblation’ is the blood shed by heroes. Ethically, it illustrates how martial ideology can sacralize violence—portraying battlefield death as ritually meaningful and ‘fruit-bearing’—while also inviting reflection on the moral tension between dharma-based duty and the human cost of war.
Speaking in Śānti Parva, Ambarīṣa describes the battlefield in ritual terms. He identifies the swift streams of blood from fallen or wounded warriors as the abundant pūrṇāhuti offered into the homa of a ‘war-sacrifice’, thereby interpreting the events of combat through the language and imagery of Vedic sacrifice.