Shloka 36
Bhṛgu–Bharadvāja-saṃvāda: Vānaprastha-parivrājaka-ācāra, Abhaya-dharma, and Lokānāṃ Vibhāga (Śānti-parva 185)
उष्ण: शीत: सुखो दुःख: स्निग्थो विशद एव च,उष्ण, शीत, सुख, दुःख, स्निग्ध, विशद, खर, मृदु, रूक्ष, हलका, भारी और अधिक भारी--इस प्रकार वायु-सम्बन्धी स्पर्श गुणके बारह भेद कहे जाते हैं
bharadvāja uvāca | uṣṇaḥ śītaḥ sukho duḥkhaḥ snigdho viśada eva ca | kharaḥ mṛduḥ rūkṣaḥ laghuḥ bhārī ati-bhārī ca | iti vāyu-sambandhī sparśa-guṇānāṃ dvādaśa bhedāḥ kathyante ||
Wika ni Bharadvāja: “Init at lamig; ginhawa at sakit; kakinisan na may langis at kalinawan; at gayundin ang gaspang at lambot; pagkatuyo; gaan; bigat at sukdulang bigat—ito ang itinuturo bilang labindalawang uri ng mga katangiang nadarama sa haplos na kaugnay ng sangkap na hangin (Vāyu). Sa pag-unawa sa mga damang ito, natututuhan ng tao na basahin ang katawan at ang daigdig nang walang pagkalito, at linangin ang katatagan sa gitna ng ligaya at pighati.”
भरद्वाज उवाच
Educational Q&A
The verse classifies twelve touch-based qualities (sparśa-guṇas) attributed to the air element—hot/cold, pleasant/painful, unctuous/clear, rough/soft, dry, light, heavy, and very heavy—encouraging discernment of sensory experience so one can remain steady and not be ruled by shifting bodily sensations.
In Śānti Parva’s instructional setting, Bharadvāja is explaining a doctrinal taxonomy of sense qualities. He enumerates the varieties of tactile experience as part of a broader teaching on elements, perception, and disciplined understanding.