Shloka 117
आपद्धर्मनिर्णयः — विश्वामित्र-श्वपचसंवादः
Apaddharma Determination: Dialogue of Viśvāmitra and the Śvapaca
परिघो नाम चाण्डाल: शस्त्रपाणिरदृश्यत | तदनन्तर प्रातःकाल परिघ नामक चाण्डाल हाथमें हथियार लेकर आता दिखायी दिया। उसकी आकृति बड़ी विकराल थी। शरीरका रंग काला और पीला था। उसका नितम्ब भाग बहुत स्थूल था। कितने ही अंग विकृत हो गये थे। वह स्वभावका रूखा जान पड़ता था। कुत्तोंसे घिरा हुआ वह मलिनवेषधारी चाण्डाल बड़ा भयंकर दिखायी दे रहा था
parigho nāma cāṇḍālaḥ śastrapāṇir adṛśyata | tadanantaraṁ prātaḥkāle parigha-nāmakaś cāṇḍālaḥ hastam̐ śastraṁ gṛhītvā dṛśyate sma | tasya ākṛtir mahāvikarālā āsīt | śarīra-varṇaḥ kṛṣṇa-pītaḥ | nitamba-deśaḥ atisthūlaḥ | bahavaḥ aṅgāni vikṛtāni | sa svabhāvena rūkṣa iva pratibhāti | śvābhiḥ parivṛtaḥ sa malinaveṣadhārī cāṇḍālo bhīṣaṇaḥ babhūva | tasya mukhaṁ viśālaṁ karṇāś ca bhittiṣu nikhātakīlā iva babhūvuḥ || taṁ dṛṣṭvā yamadūtāḥ mārjāriḥ trastacetanaḥ ||
Wika ni Bhishma: Isang Chandala na nagngangalang Parigha ang nakita, tangan ang sandata. Pagkaraan, sa bukang-liwayway, ang Chandala na si Parigha ay muling lumitaw na may sandata sa kanyang kamay. Lubhang kakila-kilabot ang anyo niya: maitim na may halong dilaw ang kutis, napakalaki ng balakang, maraming bahagi ng katawan ang deformed, at tila likas na marahas. Napalilibutan ng mga aso at nakasuot ng maruruming kasuotan, siya’y nakapanghihilakbot; napakalaki ng bibig, at ang mga tainga’y wari’y mga tukod na nakabaon sa pader. Pagkakita sa kanya, ang mga sugo ni Yama—at si Marjari—ay sinapian ng matinding takot.
भीष्म उवाच
Educational Q&A
The verse uses a terrifying apparition—an armed, impure, and deformed figure—to signal the moral consequences of harsh and defiling conduct. In the Shanti Parva’s ethical frame, such imagery warns that adharma and cruelty lead to degradation and fear, aligning with Yama’s domain of justice and retribution.
Bhishma describes the appearance of a Chandala named Parigha at dawn, carrying a weapon and surrounded by dogs, with a grotesque and frightening body. The sight is so dreadful that even Yama’s messengers, along with a figure named Marjari, become terrified.