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Shloka 24

अध्याय १ — न्यग्रोधवनोपवेशनम् तथा द्रौणिनिश्चयः

Night at the Banyan and Drauṇi’s Resolve

ततोऊस्तं पर्वतश्रेष्ठमनुप्राप्ते दिवाकरे । सर्वस्य जगतो धात्री शर्वरी समपद्यत

tato ’staṃ parvataśreṣṭham anuprāpte divākare | sarvasya jagato dhātrī śarvarī samapadyata ||

Sabi ni Sañjaya: Pagkaraan, nang marating ng Araw ang pinakamainam na bundok sa paglubog nito, dumating ang Gabi—gaya ng isang inang nagdadala at kumakalinga sa buong daigdig—at naghari sa lahat ng dako, inilulugmok ang sangnilikha sa pamamahinga. Sa himig-etikal ng bahaging Sauptika, ang paglaganap ng gabi’y hudyat ng tabing na pagdadaluyan ng mabibigat na gawaing malapit nang tangkain, at ipinakikitang ang dilim ay maaaring maging kasabwat ng adharma kapag nabigo ang pagpipigil at pagbabantay.

ततःthen, thereafter
ततः:
TypeIndeclinable
Rootततः
उपास्तंhaving reached the setting (i.e., set)
उपास्तं:
Karma
TypeAdjective
Rootउपास्त
FormMasculine, Accusative, Singular
पर्वतश्रेष्ठम्the best of mountains
पर्वतश्रेष्ठम्:
Karma
TypeNoun
Rootपर्वतश्रेष्ठ
FormMasculine, Accusative, Singular
अनुप्राप्तेwhen (he) had reached
अनुप्राप्ते:
Adhikarana
TypeVerb
Rootअनुप्राप्त
FormMasculine, Locative, Singular
दिवाकरेwhen the sun (day-maker) had (so) reached
दिवाकरे:
Adhikarana
TypeNoun
Rootदिवाकर
FormMasculine, Locative, Singular
सर्वस्यof all
सर्वस्य:
TypeAdjective
Rootसर्व
FormNeuter, Genitive, Singular
जगतःof the world
जगतः:
TypeNoun
Rootजगत्
FormNeuter, Genitive, Singular
धात्रीthe sustainer/nurse (mother)
धात्री:
Karta
TypeNoun
Rootधात्री
FormFeminine, Nominative, Singular
शर्वरीnight
शर्वरी:
Karta
TypeNoun
Rootशर्वरी
FormFeminine, Nominative, Singular
समपद्यतcame about, set in, prevailed
समपद्यत:
TypeVerb
Rootसम् + पद्
FormImperfect (Laṅ), 3rd, Singular, Parasmaipada

संजय उवाच

S
Sañjaya
D
Divākara (Sun)
Ś
Śarvarī (Night)
P
Parvataśreṣṭha (the foremost mountain; sunset mountain)

Educational Q&A

The verse frames night as a universal shelter, but within the Sauptika Parva it also foreshadows how moral vigilance can lapse under darkness; the setting reminds readers that circumstances (like night) may enable wrongdoing, yet responsibility remains with the doer.

Sañjaya describes sunset: the Sun reaches the western mountain and night spreads over the world. This sets the scene for the nocturnal events that define the Sauptika episode.